Putting in the Seed

You come to fetch me from my work to-night 

When supper's on the table, and we'll see
If I can leave off burying the white
Soft petals fallen from the apple tree.
(Soft petals, yes, but not so barren quite,
Mingled with these, smooth bean and wrinkled pea;)
And go along with you ere you lose sight
Of what you came for and become like me,
Slave to a springtime passion for the earth.
How Love burns through the Putting in the Seed
On through the watching for that early birth
When, just as the soil tarnishes with weed,
The sturdy seedling with arched body comes
Shouldering its way and shedding the earth crumbs.

-- Robert Frost (1874-1963) poet, teacher, farmer and US Poet Laureate 1959-1960 and four time Pulitzer Prize winner.

Scripture reference: Matthew 13: 24-30, 36-43, Proper 11A

Sowing

In the stilled place that once was a road going down
From the town to the river, and where the lives of marriages grew
a house, cistern and barn, flowers, the tilted stone of borders,
and the deeds of their lives ran to neglect, and honeysuckle
and then the fire overgrew it all, I walk heavy
with seed, spreading on the cleared hill the beginnings
of green, clover and grass to be pasture. Between
history’s death upon the place and the trees that would have come
I claim, and act, and am mingled in the fate of the world.

-- Wendell Berry (1934-2026), American poet, teacher, novelist, agrarian, farmer, and activist

Scripture Reference:  Matthew 13: 24-30, 36-43, Proper 11A

From "Glanmore Sonnets"

for Ann Saddlemyer
‘our heartiest welcomer’

Vowels ploughed into other: opened ground.
The mildest February for 20 years
Is mist bands over furrows, a deep no sound
Vulnerable to distant gargling tractors.
Our road is steaming, the turned-up acres breathe.
Now the good life could be to cross a field
And art a paradigm of earth knew from the lathe
Of plows. My lea is deeply tilled.
Old plough-socks gorge the subsoil of each sense
And I am quickened with a redolence
Of farmland as a dark unblown rose.
Wait then… Breasting the mist, in sowers’ aprons,
My ghosts come striding into their spring stations.
The dream grain whirls like freakish Easter snows.

--Seamus Heaney (1939-2013), from the “Glanmore Sonnets,” in Field Work, 1979

No Answer

Speak, farmer, over the green sod
To us forsaken by the sham gods
In whom we trusted. Where has the spring gone?
Is it always autumn even in the fields’
Primitive quiet in which you work?

Speak, friend; does not the earth renew
Its broken pattern, building again
Its green citadels, razed by the winds
And gaunt frosts, quarrying the face
Of the grim heavens for the springs ore?
Born here and reared, have you no proof
Of the slow summers ultimate reign?

Silence, silence; only the eyes’
Inscrutable grayness turned to mine;
And the hand’s gesture, vague as a branch,
Rowing forever the wind’s stream.

-- R. S. Thomas (1913-2000), Anglican priest and Welsh poet, from Uncollected Poems.

When the Frost in On the Punkin

When the frost is on the punkin and the fodder’s in the shock,
And you hear the kyouck and gobble of the struttin’ turkey-cock,
And the clackin’ of the guineys, and the cluckin’ of the hens,
And the rooster’s hallylooyer as he tiptoes on the fence;
O, it’s then’s the times a feller is a-feelin’ at his best,
With the risin’ sun to greet him from a night of peaceful rest,
As he leaves the house, bareheaded, and goes out to feed the stock,
When the frost is on the punkin and the fodder’s in the shock.

They’s something kindo’ harty-like about the atmusfere
When the heat of summer’s over and the coolin’ fall is here—
Of course we miss the flowers, and the blossums on the trees,
And the mumble of the hummin’-birds and buzzin’ of the bees;
But the air’s so appetizin’; and the landscape through the haze
Of a crisp and sunny morning of the airly autumn days
Is a pictur’ that no painter has the colorin’ to mock—
When the frost is on the punkin and the fodder’s in the shock.

The husky, rusty russel of the tossels of the corn,
And the raspin’ of the tangled leaves, as golden as the morn;
The stubble in the furries—kindo’ lonesome-like, but still
A-preachin’ sermuns to us of the barns they growed to fill;
The strawstack in the medder, and the reaper in the shed;
The hosses in theyr stalls below—the clover over-head!—
O, it sets my hart a-clickin’ like the tickin’ of a clock,
When the frost is on the punkin and the fodder’s in the shock!

Then your apples all is gethered, and the ones a feller keeps
Is poured around the celler-floor in red and yeller heaps;
And your cider-makin’ ’s over, and your wimmern-folks is through
With their mince and apple-butter, and theyr souse and saussage, too!...

I don’t know how to tell it—but ef sich a thing could be
As the Angels wantin’ boardin’, and they’d call around on me—
I’d want to ’commodate ’em—all the whole-indurin’ flock—
When the frost is on the punkin and the fodder’s in the shock!

-- James Whitcomb Riley (1849-1916), Indiana newspaperman, orator, children's author, and poet, known as "the Hoosier poet" for his work