Exiles

1

Only they had escaped
to tell us how
the house had gone
and things had vanished,
how they lay in their beds
and were wakened by the wind
and saw the roof gone
and thought they were dreaming.
But the starry night
and the chill they felt were real.
And they looked around
and saw trees instead of walls.
When the sun rose
they saw nothing of their own.
Other houses were collapsing.
Other trees were falling.
They ran for the train
but the train had gone.
They ran to the river
but there were no boats.
They thought about us.
They would come here.
So they got to their feet
and started to run.
There were no birds.
The wind had died.
Their clothes were tattered
and fell to the ground.
So they ran
and covered themselves
with their hands
and shut their eyes
and imagined us
taking them in.
They could not hear
the sound of their footsteps.
They felt they were drifting.
All day they had run
and now could see nothing,
not even their hands.
Everything faded
around their voices
until only their voices were left,
telling the story.
And after the story,
their voices were gone.

2

They were not gone
and the story they told
was barely begun,
for when the air was silent
and everything faded
it only meant that these
exiles came
into a country
not their own,
into a radiance
without hope.
Having come too far,
they were frightened back
into the night of their origin.
And on the way back
they heard the footsteps
and felt the warmth
of the clothes they thought
had been lifted from them.
They ran by the boats at anchor,
hulking in the bay,
by the train waiting
under the melting frost of stars.
Their sighs were mixed
with the sighs of the wind.
And when the moon rose,
they were still going back.
And when the trees
and houses reappeared,
they saw what they wanted:
the return of their story
to where it began.
They saw it in the cold
room under the roof
chilled by moonlight.
They lay in their beds
and the shadows of the giant trees
brushed darkly against the walls.

--Mark Strand (1934-2014), American poet and US poet laureate, from The Late Hour, 1978.

Photos: Ukrainians fleeing the Russian invasion, March, 2022; and migrants crossing the southern border of the US, 2021.

The Second Coming

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds. 
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

-- William Butler Yeats (1865-1939), Irish poet, playwright

Prayer for People Critically Ill or Facing Great Uncertainty

God of the present moment,
God who in Jesus stills the storm
and soothes the frantic heart,
bring hope and courage to all
who wait or work in uncertainty.
Bring hope that you will make them the equal
of whatever lies ahead.
Bring them courage to endure what cannot be avoided,
for your will is health and wholeness;
you are God, and we need you.

-- New Zealand Prayer Book, p. 765

Elegy for the Giant Tortoises

Let others pray for the passenger pigeon
the dodo, the whooping crane, the eskimo:
everybody must specialize

I will confine myself to a meditation
upon the giant tortoises
withering finally on a remote island.

I concentrate in subway stations,
in parks, I can't quite see them,
they move to the peripheries of my eyes

but on the last day they will be there:
already the event
like a wave traveling shapes vision:

on the road where I stand they will materialize,
plodding past me in a straggling line
awkward without water

their small heads pondering
from side to side, their useless armour
sadder than tanks and history,

in their closed gaze ocean and sunlight paralyzed,
lumbering up the steps, under the archways
toward the square glass altars

where the brittle gods are kept,
the relics of what we have destroyed,
our holy and obsolete symbols.

-- Margaret Atwood (1939- ), Canadian author, essayist, critic, inventor, teacher, environmental activist, and poet