Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Tuesday, October 10, 2023

Money Is Also a Kind of Music



The Wrecking Crew was just the cream of the "you pay — we'll play" LA session pool, that crack squad of 50 or 60 musicians...who played on Pet Sounds and Smile and probably half the records in your collection. They didn't just play the chops. They invented them. — Rob Chapman, MOJO


Money is also a kind of music.
I don't mean the slight sleigh bell
of a pocketed change purse
or an old-time till's single tap
of triangle, ringing
up sale, or even the percussion
of post-pillage coffers filling
up, plink by plink. I think
I mean that current
of classically trained breath
certain amounts of currency
can call forth
and blow through brass.
I mean the mean
current of electricity
Carol Kaye's bass drew
from Capitol Records in the sixties,
the timesheets that took their toll
and exchanged it for
four / four time
kept without fail by the brain
of drummer Hal Blaine,
worth its weight in scale.

-- Jason Guriel (1978- ), Canadian poet and author, author of two novels written in heroic couplets: Forgotten Work and The Full Moon Whaling Chronicles, as well as the books On Browsing, Satisfying Clicking Sound, and others.

Wednesday, August 23, 2023

Hymn



If to distant lands I scatter
If I sail to farthest seas
Would you find and firm and gather
'til I only dwell in Thee?

If I flee from greenest pastures
Would you leave to look for me?
Forfeit glory to come after
'Til I only dwell in Thee

If my heart has one ambition
If my soul one goal to seek
This my solitary vision
'til I only dwell in Thee

That I only dwell in Thee
'Til I only dwell in Thee

-- Brooke Fraser, New-Zealand singer-songwriter and Christian

Sunday, June 5, 2022

The Song is You



Musical instruments sleep in the dark
for several hours a day:
the folks we belong to aren't always at play,
so we can't always be at work.

Our silence holds music: an undiscovered bourne,
horizons which have never been viewed,
like undeclared love growing deeper in solitude,
or the crystalline heart of a stone.

My sleep, however, was more like a death:
in the dark of an attic for years;
forgetting my existence, and my glorious career
with the best female swing band on the earth.

I was the great love of my Sweetheart's life.
A man came between us. And soon
I was in the dark collecting dust and out of tune;
they were pronounced man and wife.

Instead of the charts, my gal read Dr. Spock.
We played once a week, once a year . . .
At first, from my closet, I was able to hear
her family's coninuo of talk.

My Sweetheart's grandson brought me to the shop.
Something has ruined my voice.
Older, not riper, I'm a sorry old bass.
But that doesn't mean I've lost hope

. . .that someone will hold me in a tender embrace,
her arms will encircle my neck;
someone will press her warm length to my back,
and pluck notes from my gut with her fingers' caress.

--Marilyn Nelson, from Sweethearts of Rhythm: The Story of the Greatest All-Girl Swing Band in the World

Sunday, March 13, 2022

Come Sunday




Lord, dear Lord of love, God Almighty, God up above,

Please look down and see my people through.
Lord, dear Lord of love, God Almighty, God above,
Please look down and see my people through.

I believe the sun and moon will shine up in the sky.
When the day is gray, I know it’s just clouds passing by.
He’ll give peace and comfort to every troubled mind,
Come Sunday, oh come Sunday, that’s the day.

Often we feel weary, but he knows our every care.
Go to Him in secret, He will hear your every prayer.

Lillies on the valley, they neither toil nor spin;
And flowers bloom in Spring and birds sing.
Up from dawn till sunset, man work hard all the day--
Come Sunday, oh come Sunday, that´s the day.


--Edward Kennedy “Duke” Ellington (1899-1974), African American Jazz composer and musician

The video above features the incomparable Mahalia Jackson.

Sunday, April 18, 2021

The Idea of Order at Key West



She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean. 

The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard,
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard. 

For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea
Was merely a place by which she walked to sing.
It was the spirit that we sought and knew
That we should ask this often as she sang.

If it was only the dark voice of the sea
That rose, or even colored by many waves;
If it was only the outer voice of sky
And cloud, of the sunken coral water-walled,
However clear, it would have been deep air,
The heaving speech of air, a summer sound
Repeated in a summer without end
And sound alone. But it was more than that,
More even than her voice, and ours, among
The meaningless plungings of water and the wind,
Theatrical distances, bronze shadows heaped
On high horizons, mountainous atmospheres
Of sky and sea. 

                            It was her voice that made
The sky acutest at its vanishing.
She measured to the hour it solitude.
She was the single artificer of the world
In which she sang. And when she sang, the sea,
Whatever self it had, became the self
That was her song, for she was the maker. Then we,
As we beheld her striding there alone,
Knew that there never was a world for her
Except the one she sang and, singing, made.

Ramon Fernandez, tell me, if you know,
Why, when the singing ended and we turned
Toward the town, tell why the glassy lights,
The lights in the fishing boats at anchor there,
As the night descended, tilting in the air,
Mastered the night and portioned out the sea,
Fixing emblazoned zones and fiery poles,
Arranging, deepening, enchanting night.

Oh! Blessed rage for order, pale Ramon,
The maker’s rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
in ghostlier demarcations, keener sounds.


-- Wallace Stevens (1879-1955), American lawyer, businessman, and poet

Sunday, January 10, 2021

Sabbath Poem I (1986)-- A Timbered Choir



Slowly, slowly, they return
To the small woodland let alone:
Great trees, outspreading and upright,
Apostles of the living light.

Patient as stars, they build in air
Tier after tier a timbered choir,
Stout beams upholding weightless grace
Of song, a blessing on this place.

They stand in waiting all around,
Uprisings of their native ground,
Downcomings of the distant light;
They are the advent they await.

Receiving sun and giving shade,
Their life’s a benefaction made,
And is a benediction said
Over the living and the dead.

In fall their bright and leaves, released,
Fly down the wind, and we are pleased
To walk on radiance, amazed.
O light come down to earth, be praised!

-- Wendell Berry, American  poet, farmer, and essayist, from A Timbered Choir: the Sabbath Poems 1979-1997

Saturday, October 17, 2020

"More Than a Woman"



Ever since I woke up today, 
a song has been playing uncontrollably
in my head—a tape looping

over the spools of the brain,
a rosary in the hands of a frenetic nun,
mad fan belt of a tune.

It must have escaped from the radio
last night on the drive home
and tunneled while I slept

from my ears to the center of my cortex.
It is a song so cloying and vapid
I won’t even bother mentioning the title,

but on it plays as if I were a turntable
covered with dancing children
and their spooky pantomimes,

as if everything I had ever learned
was being slowly replaced
by its slinky chords and the puff-balls of its lyrics.

It played while I watered the plants
and continued when I brought in the mail
and fanned out the letters on a table.

It repeated itself when I took a walk
and watched from a bridge
brown leaves floating in the channels of a current.

Late in the afternoon it seemed to fade,
but I heard it again at the restaurant
when I peered in at the lobsters

lying on the bottom of an illuminated
tank which was filled to the brim 
with their copious tears.

And now at this dark window
in the middle of the night
I am beginning to think

I could be listening to music of the spheres,
the sound no one ever hears
because it has been playing forever,

only the spheres are colored pool balls,
and the music is oozing from a jukebox
whose lights I can just make out through the clouds.

--Billy Collins, from Aimless Love, 2013.



Saturday, November 23, 2019

On a branch


On a branch
floating downriver
cricket, singing.

--Kobayashi Issa (1763-1828), Japanese poet and haiku master, translated by Jane Hirsheld

Monday, November 4, 2019

(even with insects)



Even with insects-- 
some can sing,
some can't.

--Kobayashi Issa (1763-1828), Japanese poet and haiku master



Just because...

Wednesday, October 30, 2019

Song to a Seagull



Fly silly seabird 
No dreams can possess you 
No voices can blame you 
For sun on your wings 

My gentle relations 
Have names they must call me 
For loving the freedom 
Of all flying things 

 My dreams with the seagulls fly 
 Out of reach out of cry 

I came to the city 
And lived like old Crusoe 
On an island of noise 
In a cobblestone sea 

And the beaches were concrete 
And the stars paid a light bill 
And the blossoms hung false 
On their store window trees 

My dreams with the seagulls fly 
 Out of reach out of cry 

Out of the city 
And down to the seaside 
To sun on my shoulders 
And wind in my hair 

But sandcastles crumble 
And hunger is human 
And humans are hungry 
For worlds they can't share 

My dreams with the seagulls fly 
Out of reach out of cry 

I call to a seagull 
Who dives to the waters 
And catches his silver-fine 
Dinner alone 

Crying where are the footprints 
That danced on these beaches 
And the hands that cast wishes 
That sunk like a stone 

My dreams with the seagulls fly 
Out of reach out of cry

--Joni Mitchell (1943- ), Canadian singer-songwriter, poet, and artist, from Song to a Seagull, 1966


Monday, October 28, 2019

Colorado

Hey, Colorado 
It was not so long ago 
I left your mountains 
To try life on the road 
But I'm tired of that race 
It was much too fast a pace 
And I think I've found my place 
Colorado, I want to come home 

I had a man there 
But I left him far behind 
I could have loved him 
If I'd only had the time 
Ah, but I stopped along my way 
Just long enough to say 
That I'd really like to stay 
But my baby, you know I have to go 

I was too young 
To know what I'd done 
I made my plans 
But I was wrong 
Yes, I was wrong 

Colorado 
Is it too late to change my mind?
I've done some thinking 
And I'm trying hard to find 
A way to come back home 
'Cause I've been so very long alone 
Won't you take care of your own? 

Colorado 
I think I'm coming home 
I want to come home 
Let me come home

--John David Souther (1945- ), American singer-songwriter and actor, recorded by Linda Ronstadt on Don't Cry Now, 1973


Friday, October 25, 2019

Amelia


I was driving across the burning desert 
When I spotted six jet planes 
Leaving six white vapor trails across the bleak terrain 
It was the hexagram of the heavens 
it was the strings of my guitar 
Amelia, it was just a false alarm 

The drone of flying engines 
Is a song so wild and blue 
It scrambles time and seasons if it gets through to you 
Then your life becomes a travelogue 
Of picture-post-card-charms 
Amelia, it was just a false alarm 

People will tell you where they've gone 
They'll tell you where to go 
But till you get there yourself you never really know 
Where some have found their paradise 
Others just come to harm 
Oh Amelia, it was just a false alarm 

I wish that he was here tonight 
It's so hard to obey 
His sad request of me to kindly stay away 
So this is how I hide the hurt 
As the road leads cursed and charmed 
I tell Amelia, it was just a false alarm 

A ghost of aviation 
She was swallowed by the sky 
Or by the sea, like me she had a dream to fly 
Like Icarus ascending 
On beautiful foolish arms 
Amelia, it was just a false alarm 

Maybe I've never really loved 
I guess that is the truth 
I've spent my whole life in clouds at icy altitude 
And looking down on everything 
I crashed into his arms 
Amelia, it was just a false alarm 

I pulled into the Cactus Tree Motel 
To shower off the dust 
And I slept on the strange pillows of my wanderlust 
I dreamed of 747's 
Over geometric farms 
Dreams, Amelia, dreams and false alarms

--Joni Mitchell (1943- ), Canadian singer-songwriter, artist, and poet, from Hejira, 1976

A link to the NPR report on the tribute to Joni Mitchell's Blue performed by Brandi Carlile.

A Live performance from 1979 by Joni Mitchell:


A dazzling cover by Roxana Amed and Pedro Aznar in Spanish:

And in English:



Friday, October 19, 2018

Jeremiah

call me Jeremiah
Jeremiah said the Lord
call me and I'll show you
great and mighty
things you have not seen

--words from Jeremiah 33:3, from the album Zero Church by Maggie and Suzzy Roche, 2001


Tuesday, May 29, 2018

Another Reason Why I Don't Keep a Gun in the House


The neighbors' dog will not stop barking.
He is barking the same high, rhythmic bark
that he barks every time they leave the house.
They must switch him on on their way out.

The neighbors' dog will not stop barking.
I close all the windows in the house
and put on a Beethoven symphony full blast
but I can still hear him muffled under the music,
barking, barking, barking,

and now I can see him sitting in the orchestra,
his head raised confidently as if Beethoven
had included a part for barking dog.

When the record finally ends he is still barking,
sitting there in the oboe section barking,
his eyes fixed on the conductor who is
entreating him with his baton

while the other musicians listen in respectful
silence to the famous barking dog solo,
that endless coda that first established
Beethoven as an innovative genius.

--Billy Collins (1941- ), poet laureate of the US 2001-2003

Saturday, April 21, 2018

Psalm


I will do all I can to be worthy of Thee O Lord.
It all has to do with it.
Thank you God.
Peace.
There is none other.
God is. It is so beautiful.
Thank you God. God is all.
Help us to resolve our fears and weaknesses.
Thank you God.
In You all things are possible.
We know. God made us so.
Keep your eye on God.
God is. He always was. He always will be.
No matter what…it is God.
He is gracious and merciful.
It is most important that I know Thee.
Words, sounds, speech, men, memory, thoughts,
fears and emotions – time – all related …
all made from one … all made in one.
Blessed be His name.
Thought waves – heat waves-all vibrations –
all paths lead to God. Thank you God.
His way … it is so lovely … it is gracious.
It is merciful – thank you God.
One thought can produce millions of vibrations
and they all go back to God … everything does.
Thank you God.
Have no fear … believe … thank you God.
The universe has many wonders. God is all. His way … it is so wonderful.
Thoughts – deeds – vibrations, etc.
They all go back to God and He cleanses all.
He is gracious and merciful…thank you God.
Glory to God … God is so alive.
God is.
God loves.
May I be acceptable in Thy sight.
We are all one in His grace.
The fact that we do exist is acknowledgement of Thee O Lord.
Thank you God.
God will wash away all our tears …
He always has …
He always will.
Seek Him everyday. In all ways seek God everyday.
Let us sing all songs to God
To whom all praise is due … praise God.
No road is an easy one, but they all
go back to God.
With all we share God.
It is all with God.
It is all with Thee.
Obey the Lord.
Blessed is He.
We are from one thing … the will of God … thank you God.
I have seen God – I have seen ungodly –
none can be greater – none can compare to God.
Thank you God.
He will remake us … He always has and He always will.
It is true – blessed be His name – thank you God.
God breathes through us so completely …
so gently we hardly feel it … yet,
it is our everything.
Thank you God.
ELATION-ELEGANCE-EXALTATION
All from God.
Thank you God. Amen.

--John Coltrane, American jazz musician and composer, from A Love Supreme, 1964