Ode to Salt

This salt
in the salt cellar
I once saw in the salt mines.
I know
you won't
believe me
but
it sings
salt sings, the skin
of the salt mines
sings
with a mouth smothered
by the earth.
I shivered in those
solitudes
when I heard
the voice
of
the salt
in the desert.
Near Antofagasta
the nitrous
pampa
resounds:
a
broken
v oice,
a mournful
song.

In its caves
the salt moans, mountain
of buried light,
translucent cathedral,
crystal of the sea, oblivion
of the waves.
And then on every table
in the world,
salt,
we see your piquant
powder
sprinkling
vital light
upon
our food.
Preserver
of the ancient
holds of ships,
discoverer
on
the high seas,
earliest
sailor
of the unknown, shifting
byways of the foam.
Dust of the sea, in you
the tongue receives a kiss
from ocean night:
taste imparts to every seasoned
dish your ocean essence;
the smallest,
miniature
wave from the saltcellar
reveals to us
more than domestic whiteness;
in it, we taste infinitude.

--Pablo Neruda (1914-1973), Chilean poet, politician, and diplomat, winner of the Nobel Prize for Literature in 1971.

Scripture reference: Matthew 5:13-20, 5th after Epiphany A

Keeping Quiet

Now we will count to twelve 
and we will all keep still. 

 For once on the face of the earth, 
let’s not speak in any language; 
let’s stop for one second, 
and not move our arms so much. 

 It would be an exotic moment 
without rush, without engines; 
we would all be together 
in a sudden strangeness. 

Fisherman in the cold sea 
would not harm whales 
and the man gathering salt 
would look at his hurt hands. 

Those who prepare green wars,
wars with gas, wars with fire, 
victories with no survivors, 
would put on clean clothes 
and walk about with their brothers 
in the shade, doing nothing. 

What I want should not be confused 
with total inactivity. 
Life is what it is about; 
I want no truck with death. 

If we were not so single-minded 
about keeping our lives moving, 
and for once could do nothing, 
perhaps a huge silence 
might interrupt this sadness 
of never understanding ourselves 
and of threatening ourselves with death. 
Perhaps the earth can teach us 
as when everything seems dead 
and later proves to be alive. 

Now I’ll count up to twelve 
and you keep quiet and I will go.

--Pablo Neruda (Ricardo Eliécer Neftalí Reyes Basoalto) (1904-1973), Chilean poet, politician, and diplomat

Sonnet XXV

Antes de amarte, amor, nada era mío:
vacilé por las calles y las cosas:
nada contaba ni tenía nombre:
el mundo era del aire que esperaba.

Yo conocí salones cenicientos,
túneles habitados por la luna,
hangares crueles que se despedían,
preguntas que insistían en la arena.

Todo estaba vacío, muerto y mudo,
caído, abandonado y decaído,
todo era inalienablemente ajeno,

todo era de los otros y de nadie,
hasta que tu belleza y tu pobreza
llenaron el otoño de regalos.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Before I loved you, Love, nothing was my own:
I wavered through the streets, among objects:
nothing mattered or had a name:
the world was made of air, which waited.

I knew rooms full of ashes,
tunnels where the moon lived,
rough warehouses that growled Get lost,
questions that insisted in the sand.

Everything was empty, dead, mute,
fallen, abandoned, and decayed:
inconceivably alien, it all

belonged to someone else-- to no one:
till your beauty and your poverty
filled the autumn plentiful with gifts.

--Pablo Neruda (ne Ricardo Eliecer Neftali Reyes Basoalto) (1904-1973), Chilean politician, diplomat, and poet, from 100 Love Sonnets, tr. Stephen Tapscott