[Hosanna! Welcome to Our Hearts, Lord]

    

Hosanna! Welcome to our hearts! Lord, here
Thou hast a temple too; and full as dear
As that of Sion, and as full of sin:
Nothing but thieves and robbers dwell therein:
Enter, and chase them forth, and cleanse the floor:
Crucify them, that they may never more
Profane that holy place
Where Thou hast chose to set Thy face!

—Jeremy Taylor (1613–1667)

Image: Stanley Spencer (1891-1959), Christ Overturning the Money Changers' Table

Scripture reference: John 2:13-22; Daily Office Year 1, Tuesday after 1st Sunday in Lent

Cana

Once when our eyes were clean as noon, our rooms

Filled with the joys of Cana’s feast;
For Jesus came, and His disciples, and His Mother,
And after them the singers
And some men with violins.

Once when our minds were Galilees,
And clean as skies our faces,
Our simple rooms were charmed with sun.

Our thoughts went in and out in whiter coats than God’s disciples’,
In Cana’s crowded rooms, at Cana’s tables.

Nor did we seem to fear the wine would fail:
For ready, in a row, to fill with water and a miracle,
We saw our earthen vessels, waiting empty.
What wine those humble waterjars foretell!

Wine for the ones who, bended to the dirty earth,
Have feared, since lovely Eden, the sun’s fire,
Yet hardly mumble, in their dusty mouths, one prayer.

Wine for old Adam, digging in the briars!


-- Thomas Merton (Father Louis), contemplative, writer, poet, spiritual autobiographer, and Trappist monk

Image: Wedding at Cana, 1968, Sadao Watanabe

Gathering Prayer for 2nd Sunday after Epiphany Year C

We come in these endless days, Precious God,
people in need of the constancy of your love:
may we drink deeply from your fountain of life;
may we continue to be guided by your Light.
We gather in these weary days, Water-changing God,
people looking for signs of hope and wonder:
may we drink deeply from your fountain of grace;
may our weariness be wrapped in your Hope.
We worship in these overwhelming days, Gifting God,
people who try to point others to Jesus:
may we drink deeply from your fountain of joy;
may our life be strengthened by your Life.

-- Thom Shuman, from his blog Lectionary Liturgies, January 12, 2025

Scripture reference: John 2:1-11

The Dark Night of the Soul

I.

In a dark night,
With anxious love inflamed,
O, happy lot!
Forth unobserved I went,
My house being now at rest.


II.

In darkness and in safety,
By the secret ladder, disguised,
O, happy lot!
In darkness and concealment,
My house being now at rest.


III.

In that happy night,
In secret, seen of none,
Seeing nought myself,
Without other light or guide
Save that which in my heart was burning.


IV.

That light guided me
More surely than the noonday sun
To the place where He was waiting for me,
Whom I knew well,
And where none appeared.


V.

O, guiding night;
O, night more lovely than the dawn;
O, night that hast united
The lover with His beloved,
And changed her into her love.

VI.

On my flowery bosom,
Kept whole for Him alone,
There He reposed and slept;
And I cherished Him, and the waving
Of the cedars fanned Him.


VII.

As His hair floated in the breeze
That from the turret blew,
He struck me on the neck
With His gentle hand,
And all sensation left me.


VIII.

I continued in oblivion lost,
My head was resting on my love;
Lost to all things and myself,
And, amid the lilies forgotten,
Threw all my cares away.

-- St. John of the Cross (1541-1591), (birth name: Juan de Yepes y Álvarez), Spanish Carmelite monk, poet, and mystic, friend of St. Teresa of Avila, translated by David Lewis, 1908.

Scripture reference: John 1:5, 1st Sunday after Christmas B,

I Am The Light of the World

I see your world in light that shines behind me,
Lit by a sun whose rays I cannot see,
The smallest gleam of light still seems to find me
Or find the child who’s hiding deep inside me.
I see your light reflected in the water,
Or kindled suddenly in someone’s eyes,
It shimmers through the living leaves of summer,
Or spills from silver veins in leaden skies,
It gathers in the candles at our vespers
It concentrates in tiny drops of dew
At times it sings for joy, at times it whispers,
But all the time it calls me back to you.
I follow you upstream through this dark night
My saviour, source, and spring, my life and light.

-- Malcolm Guite (1954- ) Anglican poet, priest, theologian, and musician 

Scripture Reference: John 8:12

Images: Lux Nova (2011) by Bernd Nestler, German, window made of float glass, treated twice with ceramic enamels, platinum mirror surface, and gold dust, at St. Christoffel Cathedral, Roermond, the Netherlands.

Stephen to Lazarus

But was I the first martyr, who
Gave up no more than life, while you,
Already free among the dead,
Your rags stripped off, your fetters shed,
Surrendered what all other men
Irrevocably keep, and when
Your battered ship at anchor lay
Seemingly safe in the dark bay
No ripple stirs, obediently
Put out a second time to sea
Well knowing that your death (in vain
Died once) must all be died again?


--C. S. Lewis (1898-1963) English author, poet, and Christian apologist

I Lazarus

What could I make of the grass

But a gate to the skies
Looking up
Clouds floating by
Like the shapes of the dead ones
As radiant as angels
And when I opened the earth
Their tombs were all empty
My mother and father
The first to speak
Come here son
O how we missed you
All I could do was weep


— Stephen Rybicki (1941-2022), poet and librarian, from Commonweal magazine.

Lazarus Unbound

John 11:1-45


To the sound of distant weeping I exited:
“Eleazar, Eleazar,” my sisters cried
but the keen came as if from the bottom of a well,
recessing like a long, slow tide; fevered rasp
of buzzing insects in the sick room;
and my scroll was torn in half with what I thought
was finality.

All was still. I rose and spun
and I cooled like a stone skipped into a river
pain and broken body shrugged off, a spent husk:

At this point of the page I resume:
I had shed this tomb of a body and rolled back the stone.
In golden sunlight, walking under a canopy
of lupine-blue sky, hands at waist facing forward, fingers open
as bobbing seas of wildflowers
- anemones and poppies, rockrose, Aaron’s rod-
weave their stems around my wrists,
and I absorb the honeyed petrichor of a desert in bloom,
murmuration of sparrows from a wadi nearby

swallows swooping from the tops of locust trees.
The difference between a field and a wasteland is in the flowers.
All was rest. All was God. All was peace.

A kaleidoscope of colors and I am jerked back
by the voice of love, insistent.
From the depths he called me to rising with a voice tear-choked.
Then the longed-for renewal of breath back into a body
now stretched like a new wineskin across my soul.
I am a somnambulist, stumbling pale in my shroud
toward an aperture so bright all was white beyond,
heart pounding like a child’s eager fist at a door.

--Leslie Barnes Scoopmire, March 22, 2023

This was first published at Episcopal Journal and Cafe's Speaking to the Soul on March 23, 2023.

Scripture Reference: John 11:1-45, Lent 5A

Image: Jose Luis Castrillo, The Resurrection of Lazarus

Onto a Vast Plain

You are not surprised at the force of the storm–
you have seen it growing.
The trees flee. Their flight
sets the boulevards streaming. And you know:
he whom they flee is the one
you move toward. All your senses
sing him, as you stand at the window.

The weeks stood still in summer.
The trees’ blood rose. Now you feel
it wants to sink back
into the source of everything. You thought
you could trust that power
when you plucked the fruit:
now it becomes a riddle again
and you again a stranger.

Summer was like your house: you know
where each thing stood.
Now you must go out into your heart
as onto a vast plain. Now
the immense loneliness begins.
The days go numb, the wind
sucks the world from your senses like withered leaves.

Through the empty branches the sky remains.
It is what you have.
Be earth now, and evensong.
Be the ground lying under that sky.
Be modest now, like a thing
ripened until it is real,
so that he who began it all
can feel you when he reaches for you.

– Rainer Maria Rilke (1875-1926), Austrian poet and novelist, from The Book of Hours, translated by Joanna Macy and Anita Barrows

Scripture Reference: John 11:1-45, Lent 5A

Image: "Jesus Raises Lazarus from the Dead," by Ann Lukesh

Lazarus Risen

Lumbering out into the hectic light
like some dishevelled beast, I found myself
notorious, and would have turned back
but that cool and candid gaze unstitched
my shroud till it fell in shreds about me
and I walked among my weeping, bewildered kin.

Now their houses fall silent when I enter,
whey-faced and hesitant. For miles around
kids run howling home at the sound of my name
and when I pass even the trees look askance.
Sustained by a miracle, like flowers in a vase
my astonishing life continues in parenthesis.

Daily, strangers beat on my door.
How should I expect them to understand
my need for darkened rooms and blankets?
I still remember
Barabbas, drunk, circling the cross as blood
issued like a parable no one understood.

When they buried him I hid and waited
and saw his ragged body bleach the stones
and vanish. My arms hung like questions in the air.
They say my wits disdained that brusque choir
and smile at the familiar idiocy
that drives me now to watch in the evenings

the unearthly procession of light
from the grey loaves of the cemetery.
I think of silences broken only
by flesh loosening, the dry applause of bones,
while with growing confidence the spiky stars
transmit their small, post-dated fires.

–Peter Sirr, from Selected Poems(2005)

Scripture reference: John 11:1-45, Lent 5A

The Raising of Lazarus

Adapted from the original notebook fragment written by Rainer Maria Rilke in Spain in 1913.


Evidently, this was needed. Because people need
to be screamed at with proof.
But he knew his friends. Before they were
he knew them. And they knew
that he would never leave them
there, desolate. So he let his exhausted eyes close
at first glimpse of the village fringed with tall fig
trees — 
immediately he found himself in their midst:
here was Martha, sister of the dead
boy. He knew
she would not stray,
as he knew which would;
he knew that he would always find her
at his right hand,
and beside her
her sister Mary, the one
a whole world of whores
still stood in a vast circle pointing at. Yes,
all were gathered around him. And once again
he began to explain
to bewildered upturned faces
where it was he had to go, and why.
He called them “my friends.” The Logos, God’s
creating word, — the same voice that said
Let there be light.
Yet
when he opened his eyes,
he found himself standing apart.
Even the two
slowly backing away, as though
from concern for their good name.
Then he began to hear voices;
whispering
quite distinctly,
or thinking:
Lord,
if you had been here
our friend might not have died.
(At that, he slowly reached out
as though to touch a face,
and soundlessly started to cry.)
He asked them the way to the grave.
And he followed behind them,
preparing
to do what is not done
to that green silent place
where life and death are one.
By then other Brueghelian grotesques
had gathered, toothlessly sneering
across at each other and stalled
at some porpoise or pig stage
of ontogenetical horrorshow, keeping
their own furtive shadowy distances
and struggling to keep up
like packs of limping dogs;
merely to walk down this road
in broad daylight
had begun to feel illegal,
unreal, rehearsal,
test — but for what!
And the filth of desecration
sifting down over him, as a feverish outrage
rose up, contempt
at the glib ease
with which words like “living”
and “being dead”
rolled off their tongues;
and loathing flooded his body
when he hoarsely cried,
“Move the stone!”
“By now the body must stink,”
some helpfully suggested. But it was true
that the body had lain in its grave four days.
He heard the voice as if from far away,
beginning to fill with that gesture
which rose through him: no hand that heavy
had ever reached this height, shining
an instant in air. Then
all at once clenching
and cramped — the fingers
shrunk crookedly
into themselves,
and irreparably fixed there,
like a hand with scars of ghastly
slashing lacerations
and the usual deep sawing
across the wrist’s fret,
through all major nerves,
the frail hair-like nerves — 
so his hand
at the thought
all the dead might return
from that tomb
where the enormous cocoon
of the corpse was beginning to stir.
Yet nobody stood there — 
only the one young man,
pale as though bled,
stooping at the entrance
and squinting at the light,
picking at his face, loose
strips of rotting shroud.
All that he could think of
was a dark place to lie down,
and hide that wasted body.
And tears rolled up his cheek
and back into his eyes,
and then his eyes began
rolling back into his head ...    
Peter looked across at Jesus
with an expression that seemed to say
You did it, or What have you done?
And everyone saw
how their vague and inaccurate
life made room for his once more.

--Franz Wright (1953-2015), Austrian-born American poet, teacher, and translator, son of James Wright

Scripture Reference: John 11:1-45, Lent 5A

Lazarus

“No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?
I thought he would be glad—and Lazarus—
To see us all again as he had left us—
All as it was, all as it was before.”

Mary, who felt her sister’s frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again—or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he—
Alone; and somewhere out of Bethany,
The Master—who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey—
For the world’s sake was hidden. “Better the tomb
For Lazarus than life, if this be life,”
She thought; and then to Martha, “No, my dear,”
She said aloud; “not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.
Martha, we are too near to this for knowledge,
And that is why it is that we must wait.
Our friends are coming if we call for them,
And there are covers we’ll put over him
To make him warmer. We are too young, perhaps,
To say that we know better what is best
Than he. We do not know how old he is.
If you remember what the Master said,
Try to believe that we need have no fear.
Let me, the selfish and the careless one,
Be housewife and a mother for tonight;
For I am not so fearful as you are,
And I was not so eager.”

Martha sank
Down at her sister’s feet and there sat watching
A flower that had a small familiar name
That was as old as memory, but was not
The name of what she saw now in its brief
And infinite mystery that so frightened her
That life became a terror. Tears again
Flooded her eyes and overflowed. “No, Mary,”
She murmured slowly, hating her own words
Before she heard them, “you are not so eager
To see our brother as we see him now;
Neither is he who gave him back to us.
I was to be the simple one, as always,
And this was all for me.” She stared again
Over among the trees where Lazarus,
Who seemed to be a man who was not there,
Might have been one more shadow among shadows,
If she had not remembered. Then she felt
The cool calm hands of Mary on her face,
And shivered, wondering if such hands were real.

“The Master loved you as he loved us all,
Martha; and you are saying only things
That children say when they have had no sleep.
Try somehow now to rest a little while;
You know that I am here, and that our friends
Are coming if I call.”

Martha at last
Arose, and went with Mary to the door,
Where they stood looking off at the same place,
And at the same shape that was always there
As if it would not ever move or speak,
And always would be there. “Mary, go now,
Before the dark that will be coming hides him.
I am afraid of him out there alone,
Unless I see him; and I have forgotten
What sleep is. Go now—make him look at you—
And I shall hear him if he stirs or whispers.
Go!—or I’ll scream and bring all Bethany
To come and make him speak. Make him say once
That he is glad, and God may say the rest.
Though He say I shall sleep, and sleep for ever,
I shall not care for that… Go!”

Mary, moving
Almost as if an angry child had pushed her,
Went forward a few steps; and having waited
As long as Martha’s eyes would look at hers,
Went forward a few more, and a few more;
And so, until she came to Lazarus,
Who crouched with his face hidden in his hands,
Like one that had no face. Before she spoke,
Feeling her sister’s eyes that were behind her
As if the door where Martha stood were now
As far from her as Egypt, Mary turned
Once more to see that she was there. Then, softly,
Fearing him not so much as wondering
What his first word might be, said, “Lazarus,
Forgive us if we seemed afraid of you;”
And having spoken, pitied her poor speech
That had so little seeming gladness in it,
So little comfort, and so little love.

There was no sign from him that he had heard,
Or that he knew that she was there, or cared
Whether she spoke to him again or died
There at his feet. “We love you, Lazarus,
And we are not afraid. The Master said
We need not be afraid. Will you not say
To me that you are glad? Look, Lazarus!
Look at my face, and see me. This is Mary.”
She found his hands and held them. They were cool,
Like hers, but they were not so calm as hers.
Through the white robes in which his friends had wrapped him
When he had groped out of that awful sleep,
She felt him trembling and she was afraid.
At last he sighed; and she prayed hungrily
To God that she might hear again the voice
Of Lazarus, whose hands were giving her now
The recognition of a living pressure
That was almost a language. When he spoke,
Only one word that she had waited for
Came from his lips, and that word was her name.

“I heard them saying, Mary, that he wept
Before I woke.” The words were low and shaken,
Yet Mary knew that he who uttered them
Was Lazarus; and that would be enough
Until there should be more… “Who made him come,
That he should weep for me?… Was it you, Mary?”
The questions held in his incredulous eyes
Were more than she would see. She looked away;
But she had felt them and should feel for ever,
She thought, their cold and lonely desperation
That had the bitterness of all cold things
That were not cruel. “I should have wept,” he said,
“If I had been the Master….”

Now she could feel
His hands above her hair—the same black hair
That once he made a jest of, praising it,
While Martha’s busy eyes had left their work
To flash with laughing envy. Nothing of that
Was to be theirs again; and such a thought
Was like the flying by of a quick bird
Seen through a shadowy doorway in the twilight.
For now she felt his hands upon her head,
Like weights of kindness: “I forgive you, Mary….
You did not know—Martha could not have known—
Only the Master knew…. Where is he now?
Yes, I remember. They came after him.
May the good God forgive him…. I forgive him.
I must; and I may know only from him
The burden of all this… Martha was here—
But I was not yet here. She was afraid….
Why did he do it, Mary? Was it—you?
Was it for you?… Where are the friends I saw?
Yes, I remember. They all went away.
I made them go away…. Where is he now?…
What do I see down there? Do I see Martha—
Down by the door?… I must have time for this.”

Lazarus looked about him fearfully,
And then again at Mary, who discovered
Awakening apprehension in his eyes,
And shivered at his feet. All she had feared
Was here; and only in the slow reproach
Of his forgiveness lived his gratitude.
Why had he asked if it was all for her
That he was here? And what had Martha meant?
Why had the Master waited? What was coming
To Lazarus, and to them, that had not come?
What had the Master seen before he came,
That he had come so late?

“Where is he, Mary?”
Lazarus asked again. “Where did he go?”
Once more he gazed about him, and once more
At Mary for an answer. “Have they found him?
Or did he go away because he wished
Never to look into my eyes again?…
That, I could understand…. Where is he, Mary?”

“I do not know,” she said. “Yet in my heart
I know that he is living, as you are living—
Living, and here. He is not far from us.
He will come back to us and find us all—
Lazarus, Martha, Mary—everything—
All as it was before. Martha said that.
And he said we were not to be afraid.”
Lazarus closed his eyes while on his face
A tortured adumbration of a smile
Flickered an instant. “All as it was before,”
He murmured wearily. “Martha said that;
And he said you were not to be afraid …
Not you… Not you… Why should you be afraid?
Give all your little fears, and Martha’s with them,
To me; and I will add them unto mine,
Like a few rain-drops to Gennesaret.”

“If you had frightened me in other ways,
Not willing it,” Mary said, “I should have known
You still for Lazarus. But who is this?
Tell me again that you are Lazarus;
And tell me if the Master gave to you
No sign of a new joy that shall be coming
To this house that he loved. Are you afraid?
Are you afraid, who have felt everything—
And seen…?”

But Lazarus only shook his head,
Staring with his bewildered shining eyes
Hard into Mary’s face. “I do not know,
Mary,” he said, after a long time.
“When I came back, I knew the Master’s eyes
Were looking into mine. I looked at his,
And there was more in them than I could see.
At first I could see nothing but his eyes;
Nothing else anywhere was to be seen—
Only his eyes. And they looked into mine—
Long into mine, Mary, as if he knew.”

Mary began to be afraid of words
As she had never been afraid before
Of loneliness or darkness, or of death,
But now she must have more of them or die:
“He cannot know that there is worse than death,”
She said. “And you…”

“Yes, there is worse than death.”
Said Lazarus; “and that was what he knew;
And that is what it was that I could see
This morning in his eyes. I was afraid,
But not as you are. There is worse than death,
Mary; and there is nothing that is good
For you in dying while you are still here.
Mary, never go back to that again.
You would not hear me if I told you more,
For I should say it only in a language
That you are not to learn by going back.
To be a child again is to go forward—
And that is much to know. Many grow old,
And fade, and go away, not knowing how much
That is to know. Mary, the night is coming,
And there will soon be darkness all around you.
Let us go down where Martha waits for us,
And let there be light shining in this house.”

He rose, but Mary would not let him go:
“Martha, when she came back from here, said only
That she heard nothing. And have you no more
For Mary now than you had then for Martha?
Is Nothing, Lazarus, all you have for me?
Was Nothing all you found where you have been?
If that be so, what is there worse than that—
Or better—if that be so? And why should you,
With even our love, go the same dark road over?”

“I could not answer that, if that were so,”
Said Lazarus,—“not even if I were God.
Why should He care whether I came or stayed,
If that were so? Why should the Master weep—
For me, or for the world,—or save himself
Longer for nothing? And if that were so,
Why should a few years’ more mortality
Make him a fugitive where flight were needless,
Had he but held his peace and given his nod
To an old Law that would be new as any?
I cannot say the answer to all that;
Though I may say that he is not afraid,
And that it is not for the joy there is
In serving an eternal Ignorance
Of our futility that he is here.
Is that what you and Martha mean by Nothing?
Is that what you are fearing? If that be so,
There are more weeds than lentils in your garden.
And one whose weeds are laughing at his harvest
May as well have no garden; for not there
Shall he be gleaning the few bits and orts
Of life that are to save him. For my part,
I am again with you, here among shadows
That will not always be so dark as this;
Though now I see there’s yet an evil in me
That made me let you be afraid of me.
No, I was not afraid—not even of life.
I thought I was…I must have time for this;
And all the time there is will not be long.
I cannot tell you what the Master saw
This morning in my eyes. I do not know.
I cannot yet say how far I have gone,
Or why it is that I am here again,
Or where the old road leads. I do not know.
I know that when I did come back, I saw
His eyes again among the trees and faces—
Only his eyes; and they looked into mine—
Long into mine—long, long, as if he knew.”

--Edwin Arlington Robinson (1869-1935), American poet and playwright, three time winner of the Pulitzer Prize for Poetry, four-time nominee for the Nobel Prize in Literature.

Scripture Reference: John 11:1-45, Lent 5A

Image: John O'Reilly, The Raising of Lazarus

Ghazal: The Woman at the Well

In memoriam Agha Shahid Ali

In this late season, who is the woman at the well
drawing water, reflecting on the woman at the well?

Millennial fissures in the well-rim, weed-choked cracks
where brackish water rises for the woman at the well.

At the bottom of the well shaft, the sky’s reflective eye
opens, closes on the shadow of the woman at the well.

Where are the rains of bygone eras? Preterite weather
yields more rusted bucketsful for the woman at the well.

Ancestral well of Jacob, where a weary traveler rests,
where Jesus asks for water from the woman at the well.

Oh plane trees of Samaria, in whose shade a stranger
speaks of artesian fault lines to the woman at the well!

Chaldean fountains, oases of date palms and minarets—
how they flourish in the dreams of the woman at the well!

Mirages of marble, pomegranate flowers, cedars of Baalbek
shimmer in the sight of the woman at the well.

On the night of destiny, the angel Gabriel descends
and hovers by the footprints of the woman at the well.

Jacob’s ladder leans against the door of heaven—
on the bottom rung, the woman at the well.

Women of Sychar, women of Shechem! Draw aside your veils,
reveal the features of the woman at the well.

Wise ones, why do you weep? Do you fear your fate
tips a mirror toward the woman at the well?

Oh artisan of sorrow, mystery’s precision, sit down
beside your sister, second self, the woman at the well.


-- Carolyne Wright (1949- ), poet, translator, and teacher, National Book Award winner for her 2005 book Season of Mangoes & Brainfire. She dedicates this poem to Agha Shahid Ali, (1949-2001), a Kashmiri-American poet who introduced the ghazal form to many American poets.

Scripture reference: John 4:5-42, Lent 4A

Image: Bryn Gillette, The Woman at the Well

Nicodemus Considers the Wind Doing As It Pleases

 John 3

Well, it’s always synergetic, lacing fingers with rain,
slicing clots from olive trees like a scalpel,
knotted leaves scraped away. Sometimes it just eases

down with the sun. Gauzy breath, piling torn branches
like ashes. With it’s oxygenating breath, it could rekindle
what smoulders. But facing abnegation, when backs turn,

it nips the drooping lobes of half-covered ears. It rushes
like blood toward the heart, climbing trees, only truly seen
when rippling over wide flung limbs that have been lifted up.

-- Matt Lee Miller, from Earth & Altar magazine, Feb 11, 2021

Scripture reference John 3:1-17, 2 Lent A

Where the Wind Blows

Abraham, back when
he was just two syllable Abram
heard the voice of God
from within his soul
speak so convincingly that even
as his molars still
rattled from the conversation,
he packed up
wife and cattle and nephew
and headed to an unknown land.
In doing so
he left behind
all he had ever known.

I am a good man,
admired, respected,
a leader.
So through the anonymity
of dark-veiled streets
I went, seeking answers,
overflowing with questions.

I started with oil:
Rabbi, we know
that you were sent by God.
He blinked up.

And to be fair,
I did barge in
in the middle of the night.

There were signs.
But I wanted answers.
Instead I got riddles.
And he left me here.

To be brave enough
to let go of our “certainties”
—which are often just opinions
wrapped up in fear
and cynicism.
“The wind blows
where it chooses.”
And I hear leaves
rattling down the narrow alleys

I took my questions to Jesus.
The answer took me
someplace unexpected.


-- Leslie Barnes Scoopmire. This was first published at Episcopal Journal and Cafe's Speaking to the Soul on March 2, 2023.

Scripture Reference: John 3:1-17, Lent 2A

The Night

                           John 3.2

      Through that pure virgin shrine,
That sacred veil drawn o’er Thy glorious noon,
That men might look and live, as glowworms shine,
         And face the moon,
   Wise Nicodemus saw such light
   As made him know his God by night.

      Most blest believer he!
Who in that land of darkness and blind eyes
Thy long-expected healing wings could see,
         When Thou didst rise!
   And, what can never more be done,
   Did at midnight speak with the Sun!

      O who will tell me where
He found Thee at that dead and silent hour?
What hallowed solitary ground did bear
         So rare a flower,
   Within whose sacred leaves did lie
   The fulness of the Deity?

      No mercy-seat of gold,
No dead and dusty cherub, nor carved stone,
But His own living works did my Lord hold
         And lodge alone;
   Where trees and herbs did watch and peep
   And wonder, while the Jews did sleep.

      Dear night! this world’s defeat;
The stop to busy fools; care’s check and curb;
The day of spirits; my soul’s calm retreat
         Which none disturb!
   Christ’s progress, and His prayer time;
   The hours to which high heaven doth chime;

      God’s silent, searching flight;
When my Lord’s head is filled with dew, and all
His locks are wet with the clear drops of night;
         His still, soft call;
   His knocking time; the soul’s dumb watch,
   When spirits their fair kindred catch.

      Were all my loud, evil days
Calm and unhaunted as is thy dark tent,
Whose peace but by some angel’s wing or voice
         Is seldom rent,
   Then I in heaven all the long year
   Would keep, and never wander here.

      But living where the sun
Doth all things wake, and where all mix and tire
Themselves and others, I consent and run
         To every mire,
   And by this world’s ill-guiding light,
   Err more than I can do by night.

      There is in God, some say,
A deep but dazzling darkness, as men here
Say it is late and dusky, because they
         See not all clear.
   O for that night! where I in Him
   Might live invisible and dim!

-- Henry Vaughan (1621-1695) Welsh poet and devout Anglican through the English Civil War and Commonwealth

Image: Henry Ossawa Tanner, Study of Nicodemus

Scripture Link: John 3:1-17, 2 Lent A

My Own Heart

My own heart let me have more pity on; let
Me live to my sad self hereafter kind,
Charitable; not live this tormented mind
With this tormented mind tormenting yet.
I cast for comfort I can no more get
By groping round my comfortless, than blind
Eyes in their dark can day or thirst can find
Thirst ’s all-in-all in all a world of wet.

Soul, self; come, poor Jackself, I do advise
You, jaded, let be; call off thoughts awhile
Elsewhere; leave comfort root-room; let joy size
At God knows when to God knows what; whose smile
’s not wrung, see you; unforeseen times rather — as skies
Betweenpie mountains — lights a lovely mile.



--Gerard Manley Hopkins (1844-1889), English poet, mystic and Catholic priest, located at Hopkins Poetry. This is one of his "dark sonnets" written in 1885.

Study Guide for this poem found here.

Scripture reference and lectionary link: Easter 3C, John 21:1-19

Image: "Christ's Charge to Peter," Raphael, 1515

The Anointing at Bethany

Come close with Mary, Martha, Lazarus
so close the candles stir with their soft breath
and kindle heart and soul to flame within us,
lit by these mysteries of life and death.
For beauty now begins the final movement
in quietness and intimate encounter.
The alabaster jar of precious ointment
is broken open for the world’s true Lover.

The whole room richly fills to feast the senses
with all the yearning such a fragrance brings.
The heart is mourning but the spirit dances,
here at the very center of all things,
here at the meeting place of love and loss,
we all foresee, and see beyond the cross.

--Malcolm Guite (1954- ), English priest, theologian, poet, musician, and singer-songwriter

Lectionary Link: Lent 5C, John 12:1-8

Image: "Mary Anoints The Feet of Jesus," by Frank Wesley

Noli Me Tangere: San Marco, Florence

Outside this cell the sparrows repeat
their seasonal songs.
Here a fresco to teach the soul
the same lesson over and over.

I come often. I think
of the monk who, each morning, faced
the grief of reaching out for what is always
just out of reach.

Just the other side
of Mary's outstretched hands,
Christ's trailing hand serenely denies.
His lightened body leaves no footprints

in the grass. For too many years
I have seen your hands laid at your sides,
your face which left me nothing
I could say.

In this cell, I see the monk’s breath
following him as he walks.
I see how Mary keeps
entering the solitudes of grief,

her hands filling with memory
as one by one by one
those last perfect words drift beyond
her understanding.


--Robert Cording, (1949- ), American poet and teacher, from A Word in My Mouth: Selected Spiritual Poems

St. Peter

St. Peter once: “Lord, doest Thou wash my feet?”

—Much more I say: Lord, dost Thou stand and knock
At my closed heart more rugged than a rock,
Bolted and barred, for Thy soft touch unmet,
Nor garnished in any wise made sweet?
Owls roost within and dancing satyrs mock.
Lord, I have heard the crowing of the cock
And have not wept: ah, Lord, thou knowest it.
Yet still I hear Thee knocking, still I hear:
“Open to Me, look on Me eye to eye,
That I may wring thy heart and make it whole;
And teach thee love because I hold thee dear
And sup with thee in gladness soul with soul,
And sup with thee in glory by and by.”

-- Christina Rosetti, English poet and supporter of the Oxford movement