Chorus I from The Rock

I
The Eagle soars in the summit of Heaven,
The Hunter with his dogs pursues his circuit.
O perpetual revolution of configured stars,
O perpetual recurrence of determined seasons,
O world of spring and autumn, birth and dying!
The endless cycle of idea and action,
Endless invention, endless experiment,
Brings knowledge of motion, but not of stillness;
Knowledge of speech, but not of silence;
Knowledge of words, and ignorance of the Word.
All our knowledge brings us nearer to our ignorance,
All our ignorance brings us nearer to death,
But nearness to death no nearer to God .
Where is the Life we have lost in living?
Where is the wisdom we have lost in knowledge?
Where is the knowledge we have lost in information?
The cycles of Heaven in twenty centuries
Bring us farther from God and nearer to the Dust.

I journeyed to London, to the timekept City,
Where the River flows, with foreign flotations.
There I was told: we have too many churches,
And too few chop-houses. There I was told:
Let the vicars retire. Men do not need the Church
In the place where they work, but where they spend their Sundays.
In the City, we need no bells:
Let them waken the suburbs.
I journeyed to the suburbs, and there I was told:
We toil for six days, on the seventh we must motor
To Hindhead, or Maidenhead.
If the weather is foul we stay at home and read the papers.
In industrial districts, there I was told
Of economic laws.
In the pleasant countryside, there it seemed
That the country now is only fit for picnics.
And the Church does not seem to be wanted
In country or in suburb; and in the town
Only for important weddings.

CHORUS LEADER :

Silence! and preserve respectful distance.
For I perceive approaching
The Rock. Who will perhaps answer our doubtings.
The Rock. The Watcher. The Stranger.
He who has seen what has happened
And who sees what is to happen.
The Witness. The Critic. The Stranger.
The God-shaken, in whom is the truth inborn.

Enter the ROCK , led by a BOY :

THE ROCK :

The lot of man is ceaseless labour,
Or ceaseless idleness, which is still harder,
Or irregular labour, which is not pleasant.
I have trodden the winepress alone, and I know
That it is hard to be really useful, resigning
The things that men count for happiness, seeking
The good deeds that lead to obscurity, accepting
With equal face those that bring ignominy,
The applause of all or the love of none.
All men are ready to invest their money
But most expect dividends.
I say to you: Make perfect your will .
I say: take no thought of the harvest,
But only of proper sowing.

The world turns and the world changes,
But one thing does not change.
In all of my years, one thing does not change.
However you disguise it, this thing does not change:
The perpetual struggle of Good and Evil.
Forgetful, you neglect your shrines and churches;
The men you are in these times deride
What has been done of good, you find explanations
To satisfy the rational and enlightened mind.
Second, you neglect and belittle the desert.
The desert is not remote in southern tropics,
The desert is not only around the corner,
The desert is squeezed in the tube-train next to you,
The desert is in the heart of your brother.
The good man is the builder, if he build what is good.
I will show you the things that are now being done,
And some of the things that were long ago done,
That you may take heart. Make perfect your will.
Let me show you the work of the humble. Listen.

The lights fade; in the semi-darkness the voices of WORKMEN are heard chanting .

In the vacant places
We will build with new bricks
There are hands and machines
And clay for new brick
And lime for new mortar
Where the bricks are fallen
We will build with new stone
Where the beams are rotten
We will build with new timbers
Where the word is unspoken
We will build with new speech
There is work together
A Church for all
And a job for each
Every man to his work.

Now a group of WORKMEN is silhouetted against the dim sky. From farther away, they are answered by voices of the UNEMPLOYED .

No man has hired us
With pocketed hands
And lowered faces
We stand about in open places
And shiver in unlit rooms.
Only the wind moves
Over empty fields, untilled
Where the plough rests, at an angle
To the furrow. In this land
There shall be one cigarette to two men,
To two women one half pint of bitter
Ale. In this land
No man has hired us.
Our life is unwelcome, our death
Unmentioned in " The Times".

Chant of WORKMEN again .

The river flows, the seasons turn
The sparrow and starling have no time to waste.
If men do not build
How shall they live?
When the field is tilled
And the wheat is bread
They shall not die in a shortened bed
And a narrow sheet. In this street
There is no beginning, no movement, no peace and no end
But noise without speech, food without taste.
Without delay, without haste
We would build the beginning and the end of this street.
We build the meaning:
A Church for all
And a job for each
Each man to his work.

-- T. S. Eliot (1888-1965), Anglo-American Modernist poet and Nobel Prize winner in literature, from his play The Rock.

Image: Workers at La Sagrada Familia, Barcelona, 2015

Chorus V from The Rock

V 

O Lord, deliver me from the man of excellent intention and impure heart: for the heart is deceitful above all things, and desperately wicked.
Sanballat the Horonite and Tobiah the Ammonite and Geshem the Arabian: were doubtless men of public spirit and zeal.
Preserve me from the enemy who has something to gain: and from the friend who has something to lose.
Remembering the words of Nehemiah the Prophet: " The trowel in hand, and the gun rather loose in the holster."
Those who sit in a house of which the use is forgotten: are like snakes that lie on mouldering stairs, content in the sun light.
And the others run about like dogs, full of enterprise, sniffing and barking: they say, " This house is a nest of serpents, let us destroy it,
And have done with these abominations, the turpitudes of the Christians." And these are not justified, nor the others.
And they write innumerable books; being too vain and distracted for silence: seeking every one after his own elevation, and dodging his emptiness.
If humility and purity be not in the heart, they are not in the home: and if they are not in the home, they are not in the City.
The man who has builded during the day would return to his hearth at nightfall: to be blessed with the gift of silence, and doze before he sleeps.
But we are encompassed with snakes and dogs: therefore some must labour, and others must hold the spears.

-- T. S. Eliot (1888-1965), Anglo-American Modernist poet and Nobel Prize winner in literature, from his play The Rock.


Image: Detail from the Passion side exterior at La Sagrada Familia, Barcelona, 2015

Chorus VII from The Rock

VII

In the beginning GOD created the world. Waste and void. Waste and void. And darkness was upon the face of the deep.
And when there were men, in their various ways, they struggled in torment towards GOD
Blindly and vainly, for man is a vain thing, and man without GOD is a seed upon the wind: driven this way and that, and finding no place of lodgement and germination.
They followed the light and the shadow, and the light led them forward to light and the shadow led them to darkness,
Worshipping snakes or trees, worshipping devils rather than nothing: crying for life beyond life, for ecstasy not of the flesh.
Waste and void. Waste and void. And darkness on the face of the deep.
And the Spirit moved upon the face of the water.
And men who turned towards the light and were known of the light
Invented the Higher Religions; and the Higher Religions were good
And led men from light to light, to knowledge of Good and Evil.
But their light was ever surrounded and shot with darkness
As the air of temperate seas is pierced by the still dead breath of the Arctic Current;
And they came to an end, a dead end stirred with a flicker of life,
And they came to the withered ancient look of a child that has died of starvation.
Prayer wheels, worship of the dead, denial of this world, affirmation of rites with forgotten meanings
In the restless wind-whipped sand, or the hills where the wind will not let the snow rest.
Waste and void. Waste and void. And darkness on the face of the deep.

Then came, at a predetermined moment, a moment in time and of time,
A moment not out of time, but in time, in what we call history: transecting, bisecting the world of time, a moment in time but not like a moment of time,
A moment in time but time was made through that moment: for without the meaning there is no time, and that moment of time gave the meaning.
Then it seemed as if men must proceed from light to light, in the light of the Word,
Through the Passion and Sacrifice saved in spite of their negative being;
Bestial as always before, carnal, self-seeking as always before, selfish and purblind as ever before,
Yet always struggling, always reaffirming, always resuming their march on the way that was lit by the light;
Often halting, loitering, straying, delaying, returning, yet following no other way.

But it seems that something has happened that has never happened before: though we know not just when, or why, or how, or where.
Men have left GOD not for other gods, they say, but for no god; and this has never happened before
That men both deny gods and worship gods, professing first Reason,
And then Money, and Power, and what they call Life, or Race, or Dialectic.
The Church disowned, the tower overthrown, the bells upturned, what have we to do
But stand with empty hands and palms turned upwards
In an age which advances progressively backwards?

VOICE OF THE UNEMPLOYED ( afar off ):

In this land

There shall be one cigarette to two men,
To two women one half pint of bitter
Ale. . . .

CHORUS :

What does the world say, does the whole world stray in high-powered cars on a by-pass way?

VOICE OF THE UNEMPLOYED ( more faintly ):

In this land

No man has hired us. . . .

CHORUS :

Waste and void. Waste and void. And darkness on the face of the deep.
Has the Church failed mankind, or has mankind failed the Church?
When the Church is no longer regarded, not even opposed, and men have forgotten
All gods except Usury, Lust and Power.

--T. S. Eliot (1888-1965), Anglo-American Modernist poet and Nobel Prize winner in literature, from his play The Rock.


Image: Detail from Passion exterior at La Sagrada Familia, Barcelona, 2015

Chorus VIII from The Rock

VIII 

O Father we welcome your words,
And we will take heart for the future,
Remembering the past.

The heathen are come into thine inheritance,
And thy temple have they defiled.

Who is this that cometh from Edom?

He has trodden the wine-press alone.

There came one who spoke of the shame of Jerusalem
And the holy places defiled;
Peter the Hermit, scourging with words.
And among his hearers were a few good men,
Many who were evil,
And most who were neither.
Like all men in all places,

Some went from love of glory,
Some went who were restless and curious,
Some were rapacious and lustful.
Many left their bodies to the kites of Syria
Or sea-strewn along the routes;
Many left their souls in Syria,
Living on, sunken in moral corruption;
Many came back well broken,
Diseased and beggared, finding
A stranger at the door in possession:
Came home cracked by the sun of the East
And the seven deadly sins in Syria.
But our King did well at Acre.
And in spite of all the dishonour,
The broken standards, the broken lives,
The broken faith in one place or another,
There was something left that was more than the tales
Of old men on winter evenings.
Only the faith could have done what was good of it;
Whole faith of a few,
Part faith of many.
Not avarice, lechery, treachery,
Envy, sloth, gluttony, jealousy, pride:
It was not these that made the Crusades,
But these that unmade them.

Remember the faith that took men from home
At the call of a wandering preacher.
Our age is an age of moderate virtue
And of moderate vice
When men will not lay down the Cross
Because they will never assume it.
Yet nothing is impossible, nothing,
To men of faith and conviction.
Let us therefore make perfect our will.
O GOD , help us.

-- T. S. Eliot (1888-1965), Anglo-American Modernist poet and Nobel Prize winner in literature, from his play The Rock.


Image: Workers at La Sagrada Familia, Barcelona, 2015

Chorus IX from The Rock

IX
Son of Man, behold with thine eyes, and hear with thine ears
And set thine heart upon all that I show thee.
Who is this that has said: the House of GOD is a House of Sorrow;
We must walk in black and go sadly, with longdrawn faces,
We must go between empty walls, quavering lowly, whispering faintly,
Among a few flickering scattered lights?
They would put upon GOD their own sorrow, the grief they should feel
For their sins and faults as they go about their daily occasions.
Yet they walk in the street proudnecked, like thoroughbreds ready for races,
Adorning themselves, and busy in the market, the forum,
And all other secular meetings.
Thinking good of themselves, ready for any festivity,
Doing themselves very well.
Let us mourn in a private chamber, learning the way of penitence,
And then let us learn the joyful communion of saints.

The soul of Man must quicken to creation.
Out of the formless stone, when the artist united himself with stone,
Spring always new forms of life, from the soul of man that is joined to the soul of stone;
Out of the meaningless practical shapes of all that is living or lifeless
Joined with the artist's eye, new life, new form, new colour.
Out of the sea of sound the life of music,
Out of the slimy mud of words, out of the sleet and hail of verbal imprecisions,
Approximate thoughts and feelings, words that have taken the place of thoughts and feelings,
There spring the perfect order of speech, and the beauty of incantation.

LORD , shall we not bring these gifts to Your service?
Shall we not bring to Your service all our powers
For life, for dignity, grace and order,
And intellectual pleasures of the senses?
The LORD who created must wish us to create
And employ our creation again in His service
Which is already His service in creating.
For Man is joined spirit and body,
And therefore must serve as spirit and body.
Visible and invisible, two worlds meet in Man;
Visible and invisible must meet in His Temple;
You must not deny the body.

Now you shall see the Temple completed:
After much striving, after many obstacles;
For the work of creation is never without travail;
The formed stone, the visible crucifix,
The dressed altar, the lifting light,

Light

Light

The visible reminder of Invisible Light.



-- T. S. Eliot (1888-1965), Anglo-American Modernist poet and Nobel Prize winner in literature, from his play The Rock.


Image: Detail from a door at La Sagrada Familia, Barcelona, 2015

Chorus X from The Rock

X
You have seen the house built, you have seen it adorned
By one who came in the night, it is now dedicated to GOD .
It is now a visible church, one more light set on a hill
In a world confused and dark and disturbed by portents of fear.
And what shall we say of the future? Is one church all we can build?
Or shall the Visible Church go on to conquer the World?

The great snake lies ever half awake, at the bottom of the pit of the world, curled
In folds of himself until he awakens in hunger and moving his head to right and to left prepares for his hour to devour.
But the Mystery of Iniquity is a pit too deep for mortal eyes to plumb. Come
Ye out from among those who prize the serpent's golden eyes,
The worshippers, self-given sacrifice of the snake. Take
Your way and be ye separate.
Be not too curious of Good and Evil;
Seek not to count the future waves of Time;
But be ye satisfied that you have light
Enough to take your step and find your foothold.

O Light Invisible, we praise Thee!
Too bright for mortal vision.
O Greater Light, we praise Thee for the less;
The eastern light our spires touch at morning,
The light that slants upon our western doors at evening,
The twilight over stagnant pools at batflight,
Moon light and star light, owl and moth light,
Glow-worm glowlight on a grassblade.
O Light Invisible, we worship Thee!

We thank Thee for the lights that we have kindled,
The light of altar and of sanctuary;
Small lights of those who meditate at midnight
And lights directed through the coloured panes of windows
And light reflected from the polished stone,
The gilded carven wood, the coloured fresco.
Our gaze is submarine, our eyes look upward
And see the light that fractures through unquiet water.
We see the light but see not whence it comes.
O Light Invisible, we glorify Thee!

In our rhythm of earthly life we tire of light. We are glad when the day ends, when the play ends; and ecstasy is too much pain.
We are children quickly tired: children who are up in the night and fall asleep as the rocket is fired; and the day is long for work or play.
We tire of distraction or concentration, we sleep and are glad to sleep,
Controlled by the rhythm of blood and the day and the night and the seasons.
And we must extinguish the candle, put out the light and relight it;
Forever must quench, forever relight the flame.
Therefore we thank Thee for our little light, that is dappled with shadow.
We thank Thee who hast moved us to building, to finding, to forming at the ends of our fingers and beams of our eyes.
And when we have built an altar to the Invisible Light, we may set thereon the little lights for which our bodily vision is made.
And we thank Thee that darkness reminds us of light.
O Light Invisible, we give Thee thanks for Thy great glory!


-- T. S. Eliot (1888-1965), Anglo-American Modernist poet and Nobel Prize winner in literature, from his play The Rock.

Image: Judas Kiss, detail from the exterior of La Sagrada Familia, Barcelona, 2015

Work and Contemplation

The woman singeth at her spinning-wheel
A pleasant chant, ballad or barcarole;
She thinketh of her song, upon the whole,
Far more than of her flax; and yet the reel
Is full, and artfully her fingers feel
With quick adjustment, provident control,
The lines—too subtly twisted to unroll—
Out to a perfect thread. I hence appeal
To the dear Christian Church--that we may do
Our Father's business in these temples mirk,
Thus swift and steadfast, thus intent and strong;
While thus, apart from toil, our souls pursue
Some high calm spheric tune, and prove our work
The better for the sweetness of our song.

-- Elizabeth Barrett Browning (1806–1861), English Romantic poet

The Cathedral of Rheims

(From the French of Emile Verhaeren)

He who walks through the meadows of Champagne
At noon in Fall, when leaves like gold appear,
Sees it draw near
Like some great mountain set upon the plain,
From radiant dawn until the close of day,
Nearer it grows
To him who goes
Across the country. When tall towers lay
Their shadowy pall
Upon his way,
He enters, where
The solid stone is hollowed deep by all
Its centuries of beauty and of prayer. 
Ancient French temple! thou whose hundred kings
Watch over thee, emblazoned on thy walls,
Tell me, within thy memory-hallowed halls
What chant of triumph, or what war-song rings?
Thou hast known Clovis and his Frankish train,
Whose mighty hand Saint Remy's hand did keep
And in thy spacious vault perhaps may sleep
An echo of the voice of Charlemagne.
For God thou has known fear, when from His side
Men wandered, seeking alien shrines and new,
But still the sky was bountiful and blue
And thou wast crowned with France's love and pride.
Sacred thou art, from pinnacle to base;
And in thy panes of gold and scarlet glass
The setting sun sees thousandfold his face;
Sorrow and joy, in stately silence pass
Across thy walls, the shadow and the light;
Around thy lofty pillars, tapers white
Illuminate, with delicate sharp flames,
The brows of saints with venerable names,
And in the night erect a fiery wall.
A great but silent fervour burns in all
Those simple folk who kneel, pathetic, dumb,
And know that down below, beside the Rhine --
Cannon, horses, soldiers, flags in line --
With blare of trumpets, mighty armies come.

Suddenly, each knows fear;
Swift rumours pass, that every one must hear,
The hostile banners blaze against the sky
And by the embassies mobs rage and cry.
Now war has come, and peace is at an end.
On Paris town the German troops descend.
They are turned back, and driven to Champagne.
And now, as to so many weary men,
The glorious temple gives them welcome, when
It meets them at the bottom of the plain.
At once, they set their cannon in its way.
There is no gable now, nor wall
That does not suffer, night and day,
As shot and shell in crushing torrents fall.
The stricken tocsin quivers through the tower;
The triple nave, the apse, the lonely choir
Are circled, hour by hour,
With thundering bands of fire
And Death is scattered broadcast among men.
And then
That which was splendid with baptismal grace;
The stately arches soaring into space,
The transepts, columns, windows gray and gold,
The organ, in whose tones the ocean rolled,
The crypts, of mighty shades the dwelling places,
The Virgin's gentle hands, the Saints' pure faces,
All, even the pardoning hands of Christ the Lord
Were struck and broken by the wanton sword
Of sacrilegious lust.
O beauty slain, O glory in the dust!
Strong walls of faith, most basely overthrown!
The crawling flames, like adders glistening
Ate the white fabric of this lovely thing.
Now from its soul arose a piteous moan,
The soul that always loved the just and fair.
Granite and marble loud their woe confessed,
The silver monstrances that Popes had blessed,
The chalices and lamps and crosiers rare
Were seared and twisted by a flaming breath;
The horror everywhere did range and swell,
The guardian Saints into this furnace fell,
Their bitter tears and screams were stilled in death.
Around the flames armed hosts are skirmishing,
The burning sun reflects the lurid scene;
The German army, fighting for its life,
Rallies its torn and terrified left wing;
And, as they near this place
The imperial eagles see
Before them in their flight,
Here, in the solemn night,
The old cathedral, to the years to be
Showing, with wounded arms, their own disgrace.

--Joyce Kilmer (1886-1918), American Roman Catholic writer and poet, who was killed by a sniper at the Battle of Ourcq in northern France on July 30, 1918.

Illustrations:
1) The restored Cathedral de Notre Dame de Reims now hosts a light show on its exterior during the summer (May-Sept) depicting what it may have looked like when it was painted.
2) The Cathedral was targeted several times by artillery during World War I, destroying its roof and burning its wooden interior.
3) The 13th century Rose Window, depicting the creation and fall, was one of the few things in the priginalc Cathedral to survive the wars that have damaged the building.

Faith

When I cannot believe,
The brown herds still move across green fields
Into the tufty hills, and I was born
Higher, where I could watch them as a bird might.
When even memory seems imagined, what
Can I bring to prayer? A pair of knees.
The great faith that built a stair to heaven
As now my memory tries to climb a hill,
Becomes an old stone building, a deaf priest
Whose hand is in the pockets of his parish,
Who longs to buy a bell he'll never hear.
The water in the font is cold, I trace
A circle on my brow and not a cross.

-- Michael Schmidt, from New and Collected Poems, 2010

Cathedral

Songbirds live
in the old cathedral,
caged birds bought at the street market
and freed as a kind of offering.
Now doves and finches and parakeets
nest in the crooks of the nave’s highest arches,
roosting on the impossibly high
sills of stained-glass windows,
looking down into the valley of the altar
as if from cliffs.

Twice a day, you’ll hear them singing:
at dawn
when the blue light
of angels’ wings
and the yellow light of halos
flood into their nests to wake them;
and during the mass
when the organ fills
the valley below with thunder.
these birds love thunder,
never having seen a drop of rain.
They love it when the people below stand up
and sing. They fly
in mad little loops
from window to window,
from the tops of arches
down toward the candles in the tombs,
making the sign of the cross.

If you look up during mass
to the world’s light falling
to the arms of saints,
you can see birds flying
true blue columns of incense
as if it were simple wood smoke
rising from a cabin’s chimney
in a remote and hushed forest.

--Richard Jones (1953- ), from Blessings: New and Selected Poems

Some keep the Sabbath by going to Church (236)

Some keep the Sabbath going to Church --
I keep it, staying at Home --
With a Bobolink for a Chorister --
And an Orchard, for a Dome --

Some keep the Sabbath in Surplice --
I just wear my Wings --
And instead of tolling the Bell, for Church,
Our little Sexton -- sings.

God preaches, a noted Clergyman --
And the sermon is never long,
So instead of getting to Heaven, at least --
I'm going, all along.

--Emily Dickinson

i am a little church(no great cathedral)

i am a little church(no great cathedral)

far from the splendour and squalor of hurrying cities

– i do not worry if briefer days grow briefest

i not sorry when sun and rain make april

my life is the life of the reaper and the sower;

my prayers are prayers of the earth’s own clumsy striving

(finding and losing and laughing and crying)children

whose any sadness or joy is my grief or my gladness

around them surges a miracle of unceasing

birth and glory in death and resurrection:

over my sleeping self float flaming symbols

of hope,and I wake to a perfect patience of mountains

i am a little church (far from the frantic

world with its rapture and anguish)at peace with nature

– i do not worry if longer nights grow longest;

i am not sorry when silence becomes singing

winter by spring,i lift my diminutive spire to

merciful Him Whose only now is forever:

standing erect in the deathless truth of His presence

(welcoming humbly His light and proudly His darkness)

--e. e. cummings, 95 Poems, 1958

 

Links: A Theological Reflection on the little church of e e cummings