A House Divided

On a railroad car in your America,

I made the acquaintance of a man
who sang a life-song with these lyrics:
"Do whatever you can/ to avoid
becoming a roofing man."
I think maybe you'd deem his tenor
elitist, or you'd hear him as falling
off working-class key. He sang
not from his heart but his pulsing
imagination, where every roof is
sloped like a spire and Sequoia tall.
Who would wish for themselves, another,
such a treacherous climb? In your America,
a clay-colored colt stomps, its hooves
cursing the barn's chronic lean.
In your America, blood pulses
within the fields, slow-poaching a mill saw's
buried flesh. In my America, my father
awakens again thankful that my face
is not the face returning his glare
from above eleven o'clock news
murder headlines. In his imagination,
the odds are just as convincing
that I would be posted on a corner
pushing powder instead of poems—
no reflection of him as a father nor me
as a son. We were merely born
in a city where the rues beyond our doors
were the streets that shanghaied souls.
To you, my America appears
distant, if even real at all. While you are
barely visible to me. Yet we continue
stealing glances at each other
from across the tattered hallways
of this overgrown house we call
a nation—every minute
a new wall erected, a bedroom added
beneath its leaking canopy of dreams.
We hear the dripping, we feel drafts
wrap cold fingers about our necks,
but neither you or I trust each other
to hold the ladder or to ascend.


-- Kyle Dargan (1980- ), prize-winning African American poet, professor, and teacher of creative writing

Image: A House Divided, by Lynette Cook

Scripture reference: Mark 3:20-35, 3rd Sunday after Pentecost, Proper 5B

The poet writes about this poem at The American Academy of Poets about this poem:

"I took Amtrak from Washington, D.C. to Atlanta for my brother's wedding. I'd never travelled that far south by train. I saw a familiar but antiquated ruralness—another iteration of America. On the return, I grabbed a seat next to a group of Alabamians on their way to Jon Stewart's Rally to Restore Sanity. It seemed that, in the moment, there were so many different “Americas” colliding in the coach. While conversing about work over a dining car breakfast, one of the men, Mike Laus, offered a line about roofing someone had passed on to him. It struck me, and provided an entry point for musing on how little we see of, or believe in, each other's Americas."

The Burdens of All

We may sigh o’er the heavy burdens
Of the black, the brown and white;
But if we all clasped hands together
The burdens would be more light.
How to solve life’s saddest problems,
Its weariness, want and woe,
Was answered by One who suffered
In Palestine long ago.

He gave from his heart this precept,
To ease the burdens of men,
“As ye would that others do to you
Do ye even so to them.”
Life’s heavy, wearisome burdens
Will change to a gracious trust
When men shall learn in the light of God
To be merciful and just.

Where war has sharpened his weapons,
And slavery masterful had,
Let white and black and brown unite
To build the kingdom of God.
And never attempt in madness
To build a kingdom or state,
Through greed of gold or lust of power,
On the crumbling stones of hate.

The burdens will always be heavy,
The sunshine fade into night,
Till mercy and justice shall cement
The black, the brown and the white.
And earth shall answer with gladness,
The herald angel’s refrain,
When “Peace on earth, good will to men”
Was the burden of their strain.

--Frances Ellen Watkins Harper (1825-1911), African American poet, journalist, novelist, teacher, activist, suffragette, orator, and worker on the Underground Railroad, born to free parents in 1825.

Scripture reference: Galatians 6:1-16, Proper 9C

what they did yesterday afternoon

they set my aunts house on fire

i cried the way women on tv do
folding at the middle
like a five pound note.
i called the boy who use to love me
tried to ‘okay’ my voice
i said hello
he said warsan, what’s wrong, what’s happened?

i’ve been praying,
and these are what my prayers look like;
dear god
i come from two countries
one is thirsty
the other is on fire
both need water.

later that night

i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?

it answered
everywhere
everywhere
everywhere.


--Warsan Shire (1988- ), Somali-British poet, first Young Poet Laureate of London, lyricist and collaborator with Beyonce Knowles-Carter

Image: Fallen Caryatid with Stone, Auguste Rodin, from the Musee Rodin in Paris

Minor Miracle

Which reminds me of another knock-on-wood
memory. I was cycling with a male friend,
through a small midwestern town. We came to a 4-way
stop and stopped, chatting. As we started again,
a rusty old pick-up truck, ignoring the stop sign,
hurricaned past scant inches from our front wheels.
My partner called, “Hey, that was a 4-way stop!”
The truck driver, stringy blond hair a long fringe
under his brand-name beer cap, looked back and yelled,
              “You fucking niggers!”
And sped off.
My friend and I looked at each other and shook our heads.
We remounted our bikes and headed out of town.
We were pedaling through a clear blue afternoon
between two fields of almost-ripened wheat
bordered by cornflowers and Queen Anne’s lace
when we heard an unmuffled motor, a honk-honking.
We stopped, closed ranks, made fists.
It was the same truck. It pulled over.
A tall, very much in shape young white guy slid out:
greasy jeans, homemade finger tattoos, probably
a Marine Corps boot-camp footlockerful
of martial arts techniques.

“What did you say back there!” he shouted.
My friend said, “I said it was a 4-way stop.
You went through it.”
“And what did I say?” the white guy asked.
“You said: ‘You fucking niggers.’”
The afternoon froze.

“Well,” said the white guy,
shoving his hands into his pockets
and pushing dirt around with the pointed toe of his boot,
“I just want to say I’m sorry.”
He climbed back into his truck
and drove away.


--Marilyn Nelson, (1946- ), African American poet, translator, children’s book author, three-time finalist for the National Book Award, and former poet laureate of Connecticut, from Fields of Praise: New and Selected Poems, from Fields of zPraise: New and Selected Poems, 1994.

Advent Credo

It is not true that creation and the human family
are doomed to destruction and loss—
This is true: For God so loved the world that He gave his 
only begotten Son, that whoever believes in Him shall 
not perish but have everlasting life.

It is not true that we must accept
inhumanity and discrimination,
hunger and poverty,
death and destruction—
This is true: I have come that they may have life, and that abundantly.

It is not true that violence and hatred should have the last word,
and that war and destruction rule forever—
This is true: Unto us a child is born, unto us a Son is given, 
and the government shall be upon his shoulder,
his name shall be called wonderful councilor, mighty God, 
the Everlasting, the Prince of peace.

It is not true that we are simply victims of the powers of evil
who seek to rule the world—
This is true: To me is given authority in heaven and on earth, 
and lo I am with you, even until the end of the world. 

It is not true that we have to wait for those who are specially gifted,
who are the prophets of the Church before we can be peacemakers—
This is true: I will pour out my spirit on all flesh
and your sons and daughters shall prophesy, 
your young men shall see visions
and your old men shall have dreams.

It is not true that our hopes for liberation of humankind,
of justice, of human dignity of peace are not meant
for this earth and for this history—
This is true: The hour comes, and it is now, 
that the true worshipers shall worship God in spirit and in truth.

So let us enter Advent in hope,
even hope against hope.
Let us see visions of love and peace and justice.
Let us affirm with humility, with joy, with faith, with courage:
Jesus Christ—the life of the world.

--Allan Boesak (1943- ), mixed-race South African Dutch Reformed pastor and anti-apartheid activist and author, from Walking on Thorns: The Call to Christian Obedience, 1984

Indian Boarding School: The Runaways

Home’s the place we head for in our sleep.
Boxcars stumbling north in dreams
don’t wait for us. We catch them on the run.
The rails, old lacerations that we love,
shoot parallel across the face and break
just under Turtle Mountains. Riding scars
you can’t get lost. Home is the place they cross.

The lame guard strikes a match and makes the dark
less tolerant. We watch through cracks in boards
as the land starts rolling, rolling till it hurts
to be here, cold in regulation clothes.
We know the sheriff’s waiting at midrun
to take us back. His car is dumb and warm.
The highway doesn’t rock, it only hums
like a wing of long insults. The worn-down welts
of ancient punishments lead back and forth.

All runaways wear dresses, long green ones,
the color you would think shame was. We scrub
the sidewalks down because it's shameful work.
Our brushes cut the stone in watered arcs
and in the soak frail outlines shiver clear
a moment, things us kids pressed on the dark
face before it hardened, pale, remembering
delicate old injuries, the spines of names and leaves.



--Louise Erdrich (1954- ), Ojibway poet and novelist, from Original Fire: Selected and New Poems, 2003.

Photo: Students at Carlisle Indian School.

Miscegenation

In 1965 my parents broke two laws of Mississippi;
they went to Ohio to marry, returned to Mississippi.

They crossed the river into Cincinnati, a city whose name
begins with a sound like sin, the sound of wrong—mis in Mississippi.

A year later they moved to Canada, followed a route the same
as slaves, the train slicing the white glaze of winter, leaving Mississippi.

Faulkner’s Joe Christmas was born in winter, like Jesus, given his name
for the day he was left at the orphanage, his race unknown in Mississippi.

My father was reading War and Peace when he gave me my name.
I was born near Easter, 1966, in Mississippi.

When I turned 33 my father said, It’s your Jesus year—you’re the same
age he was when he died. It was spring, the hills green in Mississippi.

I know more than Joe Christmas did. Natasha is a Russian name—
though I’m not; it means Christmas child, even in Mississippi.


--Natasha Trethewey (1966- ), African American poet, US Poet Laureate 2012- 2014, from Native Guard, 2007, which was awarded the Pulitzer Prize.

Photo: Richard and Mildred Loving, whose lawsuit declared miscegenation laws unconstitutional on June 12, 1967,  from Time magazine.

Bitter Fruit of the Tree

They said to my grandmother: "Please do not be bitter,"
When they sold her first-born and let the second die,
When they drove her husband till he took to the swamplands,
And brought him home bloody and beaten at last.
They told her, "It is better you should not be bitter,
Some must work and suffer so that we, who must, can live,
Forgiving is noble, you must not be heathen bitter;
These are your orders: you are not to be bitter."
And they left her shack for their porticoed house.

They said to my father: "Please do not be bitter,"
When he ploughed and planted a crop not his,
When he weatherstripped a house that he could not enter,
And stored away a harvest he could not enjoy.
They answered his questions: "It does not concern you,
It is not for you to know, it is past your understanding,
All you need know is: you must not be bitter."
And they laughed on their way to reckon the crop,
And my father walked over the wide garnered acres
Where a cutting wind warned him of the cold to come.

They said to my brother: "Please do not be bitter,
Is it not sad to see the old place go to ruin?
The eaves are sprung and the chimney tower is leaning,
The sills, joists, and columns are rotten in the core;
The blinds hang crazy and the shingles blow away,
The fields have gone back to broomsedge and pine,
And the soil washes down the red gulley scars.
With so much to be done, there's no time for being bitter.
Your father made it for us, it is up to you to save it,
What is past is over, and you should not be bitter."
But my brother is bitter, and he does not hear.

--Sterling A. Brown (1901-1989), African American poet