Gold

I don’t want to make too much of this,

but because the bedroom faces east

across a lake here in Florida,

when the sun begins to rise

and reflects off the water,

the whole room is suffused with the kind

of golden light that might travel 
at dawn on the summer solstice

the length of a passageway in a megalithic tomb.

Again, I don’t want to exaggerate,

but it reminds me of a brand of light

that could illuminate the walls

of a hidden chamber full of treasure, 
pearls and gold coins overflowing the silver platters.

I feel like comparing it to the fire

that Aphrodite lit in the human eye

so as to make it possible for us to perceive

the other three elements,

but the last thing I want to do

is risk losing your confidence

by appearing to lay it on too thick.

Let’s just say that the morning light here

would bring to any person’s mind 
the rings of light that Dante

deploys in the final cantos of the Paradiso

to convey the presence of God,

while bringing the Divine Comedy

to a stunning climax and leave it at that.

--Billy Collins (1941- ), from Horoscopes for the Dead: Poems (2011)

Open Unto Me

Lord, Lord, Open Unto Me

Open unto me, light for my darkness

Open unto me, courage for my fear

Open unto me, hope for my despair

Open unto me, peace for my turmoil

Open unto me, joy for my sorrow

Open unto me, strength for my weakness

Open unto me, wisdom for my confusion

Open unto me, forgiveness for my sins

Open unto me, tenderness for my toughness

Open unto me, love for my hates

Open unto me, Thy Self for myself


Lord, Lord, open unto me!

--Howard Thurman (1899-1981), African American theologian, educator, Baptist minister and civil rights leader

Annunciation

Annunciation, Merode triptych, Workshop of Robert Campin (Netherlandish, ca. 1375–1444 Tournai)

We know the scene: the room, variously furnished,
almost always a lectern, a book; always
the tall lily.

       Arrived on solemn grandeur of great wings,
the angelic ambassador, standing or hovering,
whom she acknowledges, a guest.

But we are told of meek obedience. No one mentions
courage.

       The engendering Spirit
did not enter her without consent.

         God waited.

She was free
to accept or to refuse, choice
integral to humanness.

                  ____________________

Aren’t there annunciations
of one sort or another
in most lives?

         Some unwillingly
undertake great destinies,
enact them in sullen pride,
uncomprehending.

More often
those moments
      when roads of light and storm
      open from darkness in a man or woman,
are turned away from

in dread, in a wave of weakness, in despair
and with relief.
Ordinary lives continue.
                                 God does not smite them.
But the gates close, the pathway vanishes.

                  ____________________

She had been a child who played, ate, slept
like any other child–but unlike others,
wept only for pity, laughed
in joy not triumph.
Compassion and intelligence
fused in her, indivisible.

Called to a destiny more momentous
than any in all of Time,
she did not quail,

  only asked

a simple, ‘How can this be?’
and gravely, courteously,
took to heart the angel’s reply,
the astounding ministry she was offered:

to bear in her womb
Infinite weight and lightness; to carry
in hidden, finite inwardness,
nine months of Eternity; to contain
in slender vase of being,
the sum of power–
in narrow flesh,
the sum of light.

                     Then bring to birth,
push out into air, a Man-child
needing, like any other,
milk and love–

but who was God.

This was the moment no one speaks of,

when she could still refuse.

A breath unbreathed,

                                Spirit,

                                          suspended,

                                                            waiting.

                  ____________________

She did not cry, ‘I cannot. I am not worthy,’

Nor, ‘I have not the strength.’

She did not submit with gritted teeth,

                                                       raging, coerced.

Bravest of all humans,

                                  consent illumined her.

The room filled with its light,

the lily glowed in it,

                               and the iridescent wings.

Consent,

              courage unparalleled,

opened her utterly.

--Denise Levertov, A Door in the Hive, 1989

Annunciation, Henry Ossawa Tanner (American, 1898)

 Links: Some Artistic Reflections on the Annunciation
Scripture Reference: Luke 1:26-38 

Annunciation

Annunciation, by Janet McKenzie

Anthem

The birds they sang
At the break of day
Start again I heard them say
Don't dwell on what
Has passed away
Or what is yet to be
Yeah the wars they will
Be fought again
The holy dove
She will be caught again
Bought and sold
And bought again
The dove is never free

Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That's how the light gets in

We asked for signs
The signs were sent
The birth betrayed
The marriage spent
Yeah the widowhood
Of every government
Signs for all to see
I can't run no more
With that lawless crowd
While the killers in high places
Say their prayers out loud 
But they've summoned, they've summoned up
A thundercloud
And they're going to hear from me

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in

You can add up the parts
You won't have the sum
You can strike up the march
There is no drum
Every heart, every heart to love will come
But like a refugee

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That's how the light gets in


--Leonard Cohen (1934-2016), Canadian songwriter and poet, 1992

In the Refectory

Lord Christ, we pray thy mercy on our table spread,
And what thy gentle hands have given thy men
Let it by thee be blessed: whate’er we have
Came from the lavish heart and gentle hand,
And all that’s good is thine, for thou art good.
And ye that eat, give thanks for it to Christ,
And let the words ye utter be only peace,
For Christ loved peace: it was himself that said,
Peace I give unto you, my peace I leave with you.
Grant that our own may be a generous hand
Breaking the bread for all poor men, sharing the food.
Christ shall receive the bread thou gavest his poor,
And shall not tarry to give thee reward.

--Alcuin of York (735-804) scholar, teacher, and priest from Northumbria

Annunciation

Orthodox icon of the Annunciation, Turkish.

Annunciation, Janet McKenzie

The Book of Isaiah, pt. 1

Isaiah awoke angry.
Lapping at Isaiah’s ears black birdsong no it was anger.
God had filled Isaiah’s ears with stingers.
Once God and Isaiah were friends.
God and Isaiah used to converse nightly, Isaiah would rush into the garden.
They conversed under the Branch, night streamed down.
From the sole of the foot to the head God would make Isaiah ring.
Isaiah had loved God and now his love was turned to pain.
Isaiah wanted a name for the pain, he called it sin.
Now Isaiah was a man who believed he was a nation.
Isaiah called the nation Judah and the sin Judah’s condition.
Inside Isaiah God saw the worldsheet burning.
Isaiah and God saw things differently, I can only tell you their actions.
Isaiah addressed the nation.
Man’s brittleness! cried Isaiah.
The nation stirred in its husk and slept again.
Two slabs of bloody meat lay folded on its eyes like wings.
Like a hard glossy painting the nation slept.
Who can invent a new fear? 
Yet I have invented sin, thought Isaiah, running his hand over the knobs.
And then, because of a great attraction between them—
which Isaiah fought (for and against) for the rest of his life— 
God shattered Isaiah’s indifference.
God washed Isaiah’s hair in fire.
God took the stay.
From beneath its meat wings the nation listened.
You, said Isaiah.
No answer.
I cannot hear you, Isaiah spoke again under the Branch.
Light bleached open the night camera.
God arrived.
God smashed Isaiah like glass through every socket of his nation.
Liar! said God.
Isaiah put his hands on his coat, he put his hand on his face.
Isaiah is a small man, said Isaiah, but no liar.
God paused.
And so that was their contract.
Brittle on both sides, no lying.
Isaiah’s wife came to the doorway, the doorposts had moved.
What’s that sound? said Isaiah’s wife.
The fear of the Lord, said Isaiah.
He grinned in the dark, she went back inside.

-- Anne Carson (1950- ), from Glass, Irony, and God, 1995.

Benediction: Living for God

For your goodness and generosity
in giving us all we need,
help us to praise you O God.

In every circumstance of life,
in good times and bad,
help us to trust you, O God.

In love and faithfulness,
with all that we have and all that we are,
help us to serve you, O God.

As we speak or write or listen
to those nearby or far away,
help us to share your love, O God.

In our plans and work
for ourselves and for others,
help us to glorify you, O God.

In every thought and word and deed,
by the power of your Holy Spirit,
this week, may we live for you, O God.

-- modified from Sunday Services, located at the Anglican Diocese of Sydney's Better Gatherings site

Dreams

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.

--Langston Hughes (1902-1967), from Selected Poems, 1958

No Worst, There Is None

No worst, there is none. Pitched past pitch of grief,
More pangs will, schooled at forepangs, wilder wring.
Comforter, where, where is your comforting?
Mary, mother of us, where is your relief?
My cries heave, herds-long; huddle in a main, a chief-
Woe, wórld-sorrow; on an áge-old ánvil wínce and síng —
Then lull, then leave off. Fury had shrieked “No ling-
Ering! Let me be fell: force I must be brief.”
O the mind, mind has mountains; cliffs of fall
Frightful, sheer, no-man-fathomed. Hold them cheap
May who ne’er hung there. Nor does long our small
Durance deal with that steep or deep. Here! creep,
Wretch, under a comfort serves in a whirlwind: all
Life death does end and each day dies with sleep.

-- Gerard Manley Hopkins (1844-1889), English poet and Jesuit priest

Gaelic Blessing- the Saints' Protection

May Christ and His saints stand between you and harm:
Mary and her Son.
Patrick with his staff.
Martin with his mantle.
Bridget with her veil.
Michael with his shield.
And God over all with His strong right hand.

Imperatives, Part 2 of Mysteries of the Incarnation

Look at the birds 1
Consider the lilies 2
Drink ye all of it 3

Ask 
Seek
Knock 4
Enter by the narrow gate 5

Do not be anxious 6
Judge not; 7 do not give dogs what is holy 8

Go: be it done for you 9
Do not be afraid 10
Maiden, arise 11
Young man, I say, arise 12

Stretch out your hand 13
Stand up, 14 be still 15
Rise, let us be going …14
Love 15
Forgive 16
Remember me


1 Matthew 6:26. See also Luke 12:24, “Consider the ravens.”
2 Matthew 6:28; Luke 12:27.
3 “Drink from it, all of you” (Matthew 26:27). Norris uses the King James translation here.
4 This stanza is a series of Jesus’s commands from the Sermon on the Mount: “Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you” (Matthew 7:7, King James; also Luke 11:9).
5 Matthew 7:13-14; also Luke 13:23-24.
6 Matthew 6:25, 31; Luke 12:22, 29.
7 Matthew 7:1; Mark 4:24; Luke 6:37-38.
8 Matthew 7:6. 9 Matthew 8:13.
10 “Do not be afraid” – a frequent command by Jesus; for example, Matthew 10:31; 14:27; 17:7; 28:10.
11 The healing of Jairus’s daughter: “Little girl, get up!” (Mark 5:41; also Luke 8:54).
12 The healing the widow’s only son; Luke 7:14.
13 The healing of the man with the withered hand: Matthew 12:13; Mark 3:1-6; Luke 6:6-11.
14 Jesus’s healing the paralyzed man: Matthew 9:2-8; Mark 2:1-12; Luke 5:17-26.
15 Jesus’s command to the ocean: Mark 5:39; also Matthew 8:26; Luke 8:24.
14 Jesus to his disciples in Gethsemane: “Rise, let us be going: behold, he is at hand that doth betray me” (Matthew 26:46; Mark 14:42).
15 Jesus’s two great commandments: “You shall love the Lord your God with all your heart, and with all your soul, and with all your mind. … You shall love your neighbor as yourself” (Matthew 22:37-39; also Mark 12:28-31; Luke 10:25-28).
16 Matthew 18:21-22; Luke 17:4.

--Kathleen Norris (1947- ), American poet and inspirational writer, 1995

Little Gidding: I (On the Feast Day of Nicholas Ferrar)

Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire, 
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart's heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul's sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time's covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable Zero summer?

If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road 
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured 
And is altered in fulfilment. There are other places
Which also are the world's end, some at the sea jaws,
Or over a dark lake, in a desert or a city--
But this is the nearest, in place and time,
Now and in England.

If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.

--T. S. Eliot (1888-1965) from Four Quartets, 1943

Photo of Little Gidding, where Nicholas Ferrar established his small community devoted to prayer in the 17th century, from pinterest

Little Gidding: II (on the feast day of Nicholas Ferrar)

Ash on an old man's sleeve
Is all the ash the burnt roses leave.
Dust in the air suspended
Marks the place where a story ended.
Dust inbreathed was a house-
The walls, the wainscot and the mouse,
The death of hope and despair,
This is the death of air.

There are flood and drouth
Over the eyes and in the mouth,
Dead water and dead sand
Contending for the upper hand.
The parched eviscerate soil
Gapes at the vanity of toil,
Laughs without mirth.
This is the death of earth.

Water and fire succeed
The town, the pasture and the weed.
Water and fire deride
The sacrifice that we denied.
Water and fire shall rot
The marred foundations we forgot,
Of sanctuary and choir.
This is the death of water and fire.

In the uncertain hour before the morning
Near the ending of interminable night
At the recurrent end of the unending
After the dark dove with the flickering tongue
Had passed below the horizon of his homing
While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
Between three districts whence the smoke arose
I met one walking, loitering and hurried
As if blown towards me like the metal leaves
Before the urban dawn wind unresisting.
And as I fixed upon the down-turned face
That pointed scrutiny with which we challenge
The first-met stranger in the waning dusk
I caught the sudden look of some dead master
Whom I had known, forgotten, half recalled
Both one and many; in the brown baked features
The eyes of a familiar compound ghost
Both intimate and unidentifiable.
So I assumed a double part, and cried
And heard another's voice cry: "What! are you here?"
Although we were not. I was still the same,
Knowing myself yet being someone other--
And he a face still forming; yet the words sufficed
To compel the recognition they preceded.
And so, compliant to the common wind,
Too strange to each other for misunderstanding,
In concord at this intersection time
Of meeting nowhere, no before and after,
We trod the pavement in a dead patrol.
I said: "The wonder that I feel is easy,
Yet ease is cause of wonder. Therefore speak:
I may not comprehend, may not remember."
And he: "I am not eager to rehearse
My thoughts and theory which you have forgotten.
These things have served their purpose: let them be.
So with your own, and pray they be forgiven
By others, as I pray you to forgive
Both bad and good. Last season's fruit is eaten
And the fullfed beast shall kick the empty pail.
For last year's words belong to last year's language
And next year's words await another voice.
But, as the passage now presents no hindrance
To the spirit unappeased and peregrine
Between two worlds become much like each other,
So I find words I never thought to speak
In streets I never thought I should revisit
When I left my body on a distant shore.
Since our concern was speech, and speech impelled us
To purify the dialect of the tribe
And urge the mind to aftersight and foresight,
Let me disclose the gifts reserved for age
To set a crown upon your lifetime's effort.
First, the cold fricton of expiring sense
Without enchantment, offering no promise
But bitter tastelessness of shadow fruit
As body and sould begin to fall asunder.
Second, the conscious impotence of rage
At human folly, and the laceration
Of laughter at what ceases to amuse.
And last, the rending pain of re-enactment
Of all that you have done, and been; the shame
Of things ill done and done to others' harm
Which once you took for exercise of virtue.
Then fools' approval stings, and honour stains.
From wrong to wrong the exasperated spirit
Proceeds, unless restored by that refining fire
Where you must move in measure, like a dancer."
The day was breaking. In the disfigured street
He left me, with a kind of valediction,
And faded on the blowing of the horn.

--T. S. Eliot (1888-1965) from Four Quartets, 1943

Photo of London during the Blitz, which influenced Eliot during the writing of the Quartets, from wikipedia

Little Gidding: III (on the feast day of Nicholas Ferrar)

There are three conditions which often look alike
Yet differ completely, flourish in the same hedgerow:
Attachment to self and to things and to persons, detachment
From self and from things and from persons; and, growing between them, indifference
Which resembles the others as death resembles life,
Being between two lives - unflowering, between
The live and the dead nettle. This is the use of memory:
For liberation - not less of love but expanding
Of love beyond desire, and so liberation
From the future as well as the past. Thus, love of a country
Begins as an attachment to our own field of action
And comes to find that action of little importance
Though never indifferent. History may be servitude, 
History may be freedom. See, now they vanish,
The faces and places, with the self which, as it could, loved them,
To become renewed, transfigured, in another pattern.
Sin is Behovely, but

All shall be well, and

All manner of thing shall be well.
If I think, again, of this place,
And of people, not wholly commendable,
Of not immediate kin or kindness,
But of some peculiar genius,
All touched by a common genius,
United in the strife which divided them;
If I think of a king at nightfall,
Of three men, and more, on the scaffold
And a few who died forgotten
In other places, here and abroad,
And of one who died blind and quiet,
Why should we celebrate
These dead men more than the dying?
It is not to ring the bell backward
Nor is it an incantation
To summon the spectre of a Rose.
We cannot revive old factions
We cannot restore old policies
Or follow an antique drum.
These men, and those who opposed them
And those whom they opposed 
Accept the constitution of silence
And are folded in a single party.
Whatever we inherit from the fortunate
We have taken from the defeated
What they had to leave us - a symbol:
A symbol perfected in death.
And all shall be well and
All manner of thing shall be well
By the purification of the motive
In the ground of our beseeching.












--T. S. Eliot (1888-1965) from Four Quartets, 1943

Photos: Detail of statue of Dame Julian on the facade of Norwich Cathedral; icon of Dame Julian by Brother Robert Lenz

Little Gidding: IV (on the feast day of Nicholas Ferrar)

The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one dischage from sin and error.
The only hope, or else despair
Lies in the choice of pyre of pyre-
To be redeemed from fire by fire.

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
We only live, only suspire
Consumed by either fire or fire.

--T. S. Eliot (1888-1965) from Four Quartets, 1943

Photo taken at the Art Institute of Chicago, detail of American window by Marc Chagall

Little Gidding: V (on the feast day of Nicholas Ferrar)

What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea's throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter's afternoon, in a secluded chapel
History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river 
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always--
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flames are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

--T. S. Eliot (1888-1965) from Four Quartets, 1943

Photos: from Friends of Little Gidding, Cherry Tree in Springtime, and epitaph marking Dame Julians anchorage site at St. Julian's in Norwich from pinterest