There is Pleasure in the Pathless Woods (From Childe Harold's Pilgrimage)

There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne’er express, yet cannot all conceal.

Roll on, thou deep and dark blue Ocean--roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with ruin--his control
Stops with the shore;--upon the watery plain
The wrecks are all thy deed, nor doth remain
A shadow of man’s ravage, save his own,
When for a moment, like a drop of rain,
He sinks into thy depths with bubbling groan,
Without a grave, unknelled, uncoffined, and unknown.

His steps are not upon thy paths,--thy fields
Are not a spoil for him,--thou dost arise
And shake him from thee; the vile strength he wields
For earth’s destruction thou dost all despise,
Spurning him from thy bosom to the skies,
And send’st him, shivering in thy playful spray
And howling, to his gods, where haply lies
His petty hope in some near port or bay,
And dashest him again to earth: —there let him lay.

--George Gordon Byron (1788-1824) (Baron Byron of Rochdale) English Romantic poet and politician

The Poet Thinks About the Donkey

On the outskirts of Jerusalem
the donkey waited,
Not especially brave, or filled with understanding,
he stood and waited.

How horses, turned into the meadow,
     leap with delight!
How doves, released from their cages,
     clatter away, splashed with sunlight!

But the donkey, tied to a tree as usual, waited.
Then he let himself be led away.
Then he let the stranger mount.

Never had he seen such crowds!
And I wonder if he at all imagined what was to happen,
Still, he was what he had always been: small, dark, obedient.

I hope, finally, he felt brave.
I hope, finally, he loved the man who rode so lightly upon him,
as he lifted one dusty hoof and stepped, as he had to, forward.

--Mary Oliver (1935-2019), American poet, teacher, and author, from Thirst: Poems, 2006.



Photo: detail from a window at St. Stephen's Episcopal Church, Ferguson, MO, by Emil Frei and Sons.

Gethsemane

The grass never sleeps.
Or the roses.
Nor does the lily have a sacred eye that shuts until morning.

Jesus said, wait with me. But the disciples slept.

The cricket has such splendid fringe on its feet,'
and it sings, have you noticed, with its whole body,
and heaven knows if it ever sleeps.

Jesus said, wait with me. And maybe the stars did, maybe
the wind wound itself into a silver tree, and didn't move,
     maybe
the lake far away, where once he walked as on a
blue pavement, lay still and waited, wide awake.

Oh, the dear bodies, slumped and eye-shut, that could not
keep that vigil, how they must have wept,
so utterly human, knowing this too
must be a part of the story.

--Mary Oliver (1935-2019), American poet, teacher, and writer, from Thirst:Poems, 2006.

Photo: Jesus being scourged, Passion side of La Sagrada Familia, 2016.

Fishing in the Keep of Silence

There is a hush now while the hills rise up
and God is going to sleep. He trusts the ship
of Heaven to take over and proceed beautifully
as he lies dreaming in the lap of the world.
He knows the owls will guard the sweetness
of the soul in the massive keep of silence,
looking out with eyes open or closed over
the length of Tomales Bay that the egrets
conform to, whitely broad in flight, white
and slim in standing. God, who thinks about
poetry all the time, breathes happily as He
repeats to Himself: there are fish in the net,
lots of fish this time in the net of the heart.

--Linda Gregg (1942-2019), American poet, from All of It Singing: New and Selected Poems, 2008

God's World

O world, I cannot hold thee close enough!
   Thy winds, thy wide grey skies!
   Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with colour! That gaunt crag
To crush! To lift the lean of that black bluff!
World, World, I cannot get thee close enough!

Long have I known a glory in it all,
                  But never knew I this;
                  Here such a passion is
As stretcheth me apart,—Lord, I do fear
Thou’st made the world too beautiful this year;
My soul is all but out of me,—let fall
No burning leaf; prithee, let no bird call.

-Edna St. Vincent Millay (1892-1950), American poet and playwright, from Renascence and Other Poems (1917)

Putting in the Seed

You come to fetch me from my work to-night
When supper’s on the table, and we’ll see
If I can leave off burying the white
Soft petals fallen from the apple tree.
(Soft petals, yes, but not so barren quite,
Mingled with these, smooth bean and wrinkled pea;)
And go along with you ere you lose sight
Of what you came for and become like me,
Slave to a springtime passion for the earth.
How Love burns through the Putting in the Seed
On through the watching for that early birth
When, just as the soil tarnishes with weed,
The sturdy seedling with arched body comes
Shouldering its way and shedding the earth crumbs.

--Robert Frost (1874-1963) American poet, US Poet Laureate 1958-1959, Pulitzer Prize winner

Easter Communion

Pure fasted faces draw unto this feast:
God comes all sweetness to your Lenten lips.
You striped in secret with breath-taking whips,
Those crooked rough-scored chequers may be pieced
To crosses meant for Jesu's; you whom the East
With draught of thin and pursuant cold so nips
Breathe Easter now; you serged fellowships,
You vigil-keepers with low flames decreased,

God shall o'er-brim the measures you have spent
With oil of gladness, for sackcloth and frieze
And the ever-fretting shirt of punishment
Give myrrhy-threaded golden folds of ease.
Your scarce-sheathed bones are weary of being bent:
Lo, God shall strengthen all the feeble knees.

--Gerard Manley Hopkins (1844–1889), English Jesuit poet and priest

Easter Benediction

When it takes hold, resurrection doesn’t let go,
it shakes the dead awake,
it shakes the darkness from the light,
it shakes the silence from our throats
and it wrestles death from all that is dying

Let us go out into the world
and in the upheaval of resurrection
seek out the life

of awakening,

of enlightenment,

of proclamation,

of revived faith.

And the blessing of God Almighty,

Creator, Redeemer, and Sustainer,

rest upon you today and always.

Amen.

~ adapted by me from a prayer written written by Roddy Hamilton, and posted at http://www.nkchurch.org.uk/

Stations of the Cross : 1- Jesus is condemned to death

The very air that Pilate breathes, the voice
With which he speaks in judgment, all his powers
Of perception and discrimination, choice,
Decision, all his years, his days and hours,
His consciousness of self, his every sense,
Are given by this prisoner, freely given.
The man who stands there making no defence,
Is God. His hands are tied, His heart is open.
And he bears Pilate’s heart in his and feels
That crushing weight of wasted life. He lifts
It up in silent love. He lifts and heals.
He gives himself again with all his gifts
Into our hands. As Pilate turns away
A door swings open. This is judgment day.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 2- Jesus is given his cross

He gives himself again with all his gifts
And now we give him something in return.
He gave the earth that bears, the air that lifts,
Water to cleanse and cool, fire to burn,
And from these elements he forged the iron,
From strands of life he wove the growing wood,
He made the stones that pave the roads of Zion
He saw it all and saw that it is good.
We took his iron to edge an axe’s blade,
We took the axe and laid it to the tree,
We made a cross of all that he has made,
And laid it on the one who made us free.
Now he receives again and lifts on high
The gifts he gave and we have turned awry.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross 3: Jesus falls for the first time

He made the stones that pave the roads of Zion
And well he knows the path we make him tread
He met the devil as a roaring lion
And still refused to turn these stones to bread,
Choosing instead, as Love will always choose,
This darker path into the heart of pain.
And now he falls upon the stones that bruise
The flesh, that break and scrape the tender skin.
He and the earth he made were never closer,
Divinity and dust come face to face.
We flinch back from his via dolorosa,
He sets his face like flint and takes our place,
Staggers beneath the black weight of us all
And falls with us that he might break our fall.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross 4: Jesus meets his mother

This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross 5: Simon of Cyrene carries the cross

In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 6- Veronica wipes the face of Jesus

Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
Folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of God is shining once again.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 7- Jesus falls the Second Time

Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 8- Jesus meets the women of Jerusalem

He falls and stumbles with us, hurt again
But still he holds the road and looks in love
On all of us who look on him. Our pain
As close to him as his. These women move
Compassion in him as he does in them.
He asks us both to weep and not to weep. 
Women of Gaza and Jerusalem,
Women of every nation where the deep
Wounds of memory divide the land
And lives of all your children, where the mines
Of all our wars are sown: Afghanistan,
Iraq, the Cote d’Ivoire… he reads the signs
And weeps with you and with you he will stay
Until the day he wipes your tears away.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 9- Jesus falls the third time

He weeps with you and with you he will stay
When all your staying power has run out
You can’t go on, you go on anyway.
He stumbles just beside you when the doubt
That always haunts you, cuts you down at last
And takes away the hope that drove you on.
This is the third fall and it hurts the worst
This long descent through darkness to depression
From which there seems no rising and no will
To rise, or breathe or bear your own heart beat.
Twice you survived; this third will surely kill,
And you could almost wish for that defeat
Except that in the cold hell where you freeze
You find your God beside you on his knees.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross 10: Jesus is stripped of his garments

You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defences too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 11- Jesus is nailed to the cross

See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 12- Jesus dies on the cross

The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to it’s birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 13- Jesus's body is taken down from the cross

His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Stations of the Cross: 14- Jesus is laid in the tomb

Here at the centre everything is still
Before the stir and movement of our grief
Which bears its pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.

--Malcolm Guite (1957- ), Anglican priest, poet, songwriter, musician, and academic, from Sounding the Seasons (2012), also found at https://malcolmguite.wordpress.com/blog/

Present

At light speed, God speed,
time collapses into now, so that
we may see Christ's wounds as
still bleeding, his torso,
that ready sponge, still
absorbing our vice, our toxic shame.

He is still being pierced
by every hateful nail
we hammer home. In this
Golgotha moment his body--
chalice for the dark weeping
of the whole world-- brims,

spilling over as his lifeblood
drains. His dying into earth
begins the great reversal--
as blood from a vein leaps
into the needle, so with his rising,
we surge into light.

-- Luci Shaw (1928- ), American poet, from What the Light Was Like, 2006

Concord Hymn

Sung at the Completion of the Battle Monument, July 4, 1837

By the rude bridge that arched the flood,
     Their flag to April’s breeze unfurled,
Here once the embattled farmers stood
     And fired the shot heard round the world.

The foe long since in silence slept;
     Alike the conqueror silent sleeps;
And Time the ruined bridge has swept
     Down the dark stream which seaward creeps.

On this green bank, by this soft stream,
     We set today a votive stone;
That memory may their deed redeem,
     When, like our sires, our sons are gone.

Spirit, that made those heroes dare
     To die, and leave their children free,
Bid Time and Nature gently spare
     The shaft we raise to them and thee.

-- Ralph Waldo Emerson (1803-1882), American Transcendentalist poet, essayist, preacher, and philosopher, written for the dedication of a monument to the Battles of Lexington and Concord, April 19, 1775.

Coming to God: First Days

Lord, what shall I do that I
Can’t quiet myself?
Here is the bread, and
Here is the cup, and
I can’t quiet myself.  

To enter the language of transformation!
To learn the importance of stillness,
     With one’s hands folded!

When will my eyes of rejoicing turn peaceful?
When will my joyful feet grow still?
When will my heart stop its prancing
     As over the summer grass?

Lord, I would run for you, loving the miles for your sake.
I would climb the highest tree
To be that much closer.

Lord, I will learn also to kneel down
Into the world of the invisible,
     The inscrutable and the everlasting.
Then I will move no more than the leaves of a tree
     On a day of no wind,
Bathed in light,
Like the wanderer who has come home at last
And kneels in peace, done with all unnecessary things;
Every motion; even words.

-- Mary Oliver (1935-2019), American poet, from Thirst: Poems, 2006

Work and Contemplation

The woman singeth at her spinning-wheel
A pleasant chant, ballad or barcarole;
She thinketh of her song, upon the whole,
Far more than of her flax; and yet the reel
Is full, and artfully her fingers feel
With quick adjustment, provident control,
The lines—too subtly twisted to unroll—
Out to a perfect thread. I hence appeal
To the dear Christian Church--that we may do
Our Father's business in these temples mirk,
Thus swift and steadfast, thus intent and strong;
While thus, apart from toil, our souls pursue
Some high calm spheric tune, and prove our work
The better for the sweetness of our song.

-- Elizabeth Barrett Browning (1806–1861), English Romantic poet

In the Green Morning, Now, Once More

In the green morning, before
Love was destiny,
The sun was king,
And God was famous.

The merry, the musical,
The jolly, the magical,
The feast, the feast of feasts, the festival
Suddenly ended
As the sky descended
But there was only the feeling,
In all the dark falling,
Of fragrance and of freshness, of birth and beginning.

--Delmore Schwartz (1913-1966), American poet and teacher, from Selected Poems (1938-1958): Summer Knowledge

Crucifying

_By miracles exceeding power of man_,
He faith in some, envy in some begat,
For, what weak spirits admire, ambitious, hate;
In both affections many to him ran,
But Oh! the worst are most, they will and can,
Alas, and do, unto the immaculate,
Whose creature Fate is, now prescribe a Fate,
Measuring self-life's infinity to’a span,
Nay to an inch. Lo, where condemned he
Bears his own cross, with pain, yet by and by
When it bears him, he must bear more and die.
Now thou art lifted up, draw me to thee,
And at thy death giving such liberal dole,
_Moist, with one drop of thy blood, my dry soul_.

-- John Donne (1572-1631), English priest, poet, and essayist

A Light Exists in Spring

A Light exists in Spring 
Not present on the Year 
At any other period -- 
When March is scarcely here 

A Color stands abroad 
On Solitary Fields 
That Science cannot overtake 
But Human Nature feels. 

It waits upon the Lawn, 
It shows the furthest Tree 
Upon the furthest Slope you know 
It almost speaks to you. 

Then as Horizons step 
Or Noons report away 
Without the Formula of sound 
It passes and we stay -- 

A quality of loss
Affecting our Content 
As Trade had suddenly encroached 
Upon a Sacrament.

--Emily Dickinson (1830-1886) American poet and mystic

The Sparrow

A little bird, with plumage brown,
Beside my window flutters down,
A moment chirps its little strain,
Then taps upon my window-pane,
And chirps again, and hops along,
To call my notice to its song;
But I work on, nor heed its lay,
Till, in neglect, it flies away.
So birds of peace and hope and love
Come fluttering earthward from above,
To settle on life's window-sills,
And ease our load of earthly ills;
But we, in traffic's rush and din
Too deep engaged to let them in,
With deadened heart and sense plod on,
Nor know our loss till they are gone.

--Paul Laurence Dunbar (1872-1906), trailblazing African American poet, writer, and playwright,

Auguries of Innocence

To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour
A Robin Red breast in a Cage
Puts all Heaven in a Rage
A Dove house filld with Doves & Pigeons
Shudders Hell thr' all its regions
A dog starvd at his Masters Gate
Predicts the ruin of the State
A Horse misusd upon the Road
Calls to Heaven for Human blood
Each outcry of the hunted Hare
A fibre from the Brain does tear
A Skylark wounded in the wing
A Cherubim does cease to sing
The Game Cock clipd & armd for fight
Does the Rising Sun affright
Every Wolfs & Lions howl
Raises from Hell a Human Soul
The wild deer, wandring here & there 
Keeps the Human Soul from Care
The Lamb misusd breeds Public Strife
And yet forgives the Butchers knife
The Bat that flits at close of Eve
Has left the Brain that wont Believe
The Owl that calls upon the Night 
Speaks the Unbelievers fright
He who shall hurt the little Wren
Shall never be belovd by Men
He who the Ox to wrath has movd 
Shall never be by Woman lovd
The wanton Boy that kills the Fly
Shall feel the Spiders enmity
He who torments the Chafers Sprite
Weaves a Bower in endless Night
The Catterpiller on the Leaf
Repeats to thee thy Mothers grief
Kill not the Moth nor Butterfly
For the Last Judgment draweth nigh
He who shall train the Horse to War
Shall never pass the Polar Bar
The Beggars Dog & Widows Cat
Feed them & thou wilt grow fat
The Gnat that sings his Summers Song
Poison gets from Slanders tongue
The poison of the Snake & Newt
Is the sweat of Envys Foot
The poison of the Honey Bee
Is the Artists Jealousy
The Princes Robes & Beggars Rags
Are Toadstools on the Misers Bags
A Truth thats told with bad intent
Beats all the Lies you can invent
It is right it should be so
Man was made for Joy & Woe
And when this we rightly know
Thro the World we safely go
Joy & Woe are woven fine
A Clothing for the soul divine
Under every grief & pine
Runs a joy with silken twine
The Babe is more than swadling Bands
Throughout all these Human Lands
Tools were made & Born were hands 
Every Farmer Understands
Every Tear from Every Eye
Becomes a Babe in Eternity
This is caught by Females bright
And returnd to its own delight
The Bleat the Bark Bellow & Roar
Are Waves that Beat on Heavens Shore
The Babe that weeps the Rod beneath
Writes Revenge in realms of Death
The Beggars Rags fluttering in Air
Does to Rags the Heavens tear
The Soldier armd with Sword & Gun
Palsied strikes the Summers Sun
The poor Mans Farthing is worth more
Than all the Gold on Africs Shore
One Mite wrung from the Labrers hands
Shall buy & sell the Misers Lands
Or if protected from on high
Does that whole Nation sell & buy
He who mocks the Infants Faith
Shall be mockd in Age & Death
He who shall teach the Child to Doubt
The rotting Grave shall neer get out
He who respects the Infants faith
Triumphs over Hell & Death
The Childs Toys & the Old Mans Reasons
Are the Fruits of the Two seasons
The Questioner who sits so sly
Shall never know how to Reply
He who replies to words of Doubt
Doth put the Light of Knowledge out
The Strongest Poison ever known
Came from Caesars Laurel Crown
Nought can Deform the Human Race
Like to the Armours iron brace
When Gold & Gems adorn the Plow
To peaceful Arts shall Envy Bow
A Riddle or the Crickets Cry
Is to Doubt a fit Reply
The Emmets Inch & Eagles Mile
Make Lame Philosophy to smile
He who Doubts from what he sees
Will neer Believe do what you Please
If the Sun & Moon should Doubt
Theyd immediately Go out
To be in a Passion you Good may Do
But no Good if a Passion is in you
The Whore & Gambler by the State
Licencd build that Nations Fate
The Harlots cry from Street to Street
Shall weave Old Englands winding Sheet
The Winners Shout the Losers Curse
Dance before dead Englands Hearse
Every Night & every Morn
Some to Misery are Born
Every Morn and every Night
Some are Born to sweet delight
Some are Born to sweet delight
Some are Born to Endless Night
We are led to Believe a Lie
When we see not Thro the Eye
Which was Born in a Night to perish in a Night
When the Soul Slept in Beams of Light
God Appears & God is Light
To those poor Souls who dwell in Night
But does a Human Form Display
To those who Dwell in Realms of day

-- William Blake (1757-1827), English artist, poet, engraver, and mystic



Photo: Tiny wildflowers at Windridge Solitude, April, 2019