Prayer inspired by Psalm 23

Let me give thanks and praise to God,

my shepherd and provider,
who claims me and unfailingly loves me as God’s own.
I lay all my trust at the feet of the Almighty,
Lover and Seeker of my soul.

God leads me into verdant, abundant pastures
filled with all I need, and gives me rest and security.
God restores and refreshes my soul,
tending and guarding my inmost being.
My Shepherd sees my weariness, and lifts me up;
guiding me in right pathways,
that I bring honor to God’s Name.

God, You shield me with your strength and vigilance;
may I always remain at your side.
No matter what terrors or trials approach me,
I am not afraid
for You,
Emmanuel,
are with me, even if death overhangs me.

O God, You provide for me plentifully and exalt me,
even as my enemies look on,
helpless to harm me.
You have consecrated me
and blessed me abundantly,
and the cup of my blessings overflows
like a spring in the desert.

O God, your promise to love me
envelops me in goodness and mercy,
following me as my companions throughout my life.
I am secure in God’s arms,
and my home is with you forever,
even into eternity.

--Leslie Barnes Scoopmire,  written July 15, 2018

A Love Poem for Daylight Saving Time

Roses are red,
Violets are blue,
For the first time since November 6
I slept the night through.

I know some are sad,
but spring's 'round the bend,
and then here comes summer--
here's your coffee, my friend.

Like the widow who danced
when she found her lost coin,
I'll try not to rub your face in it
if you've been kicked in the... loins.

Joy comes in the morning
when the sun sets at seven
so please join my rejoicing
and go to bed by eleven!

A Prayer in Spring

Oh, give us pleasure in the flowers today;
And give us not to think so far away
As the uncertain harvest; keep us here
All simply in the springing of the year.

Oh, give us pleasure and the orchard white,
Like nothing else by day, like ghosts by night;
And make us happy and the happy bees,
The swarm dilating round the perfect trees.

And to make us happy in the darting bird
That suddenly above the bees is heard
The meteor that thrusts in with needle bill,
And off a blossom in mid air stands still.

For this is love and nothing else is love,
To which it is reserved for God above
To sanctify to what far ends he will,
But which it only needs that we fulfill.

--Robert Frost (1874-1963), much-lauded American poet, including four Pulitzer Prizes.

Refreshment

 John4: 5-42

Lenten violet and white papel picado flutter overhead, 
the bougainvillea blooms sprawl
over the crisp white tablecloths, 
altars beneath the warming Oaxacan sun.

Come, be refreshed. Offer up your cup 
from stall to stall, a feast amidst fast
for stranger or friend, all receive refreshment:
Agua frescas, jamaica, tamarindo, chilacoyata, horchatas, 
tejate brimming from clay bowls
on the Dia de la Samaritana.
The Pacific air is redolent and vibrant
with chocolate, sugar, 
sunlight and music.

Remembering the heat of another noonday sun,
in Samaria, scorned for its mongrel faith,
sprawled between the boundaries 
of Jerusalem’s industrialized religion
and Galilee with its olives and figs, 
crocus and anemone,
cyclamen nodding from rocky crevices.
His face was turned toward home.

He did not seek more contention
or midnight visitors brimming 
with questions. He sought 
a shortcut. The route 
should have been along seashore or river bank, 
but God so loved the world, 
and the world begins
within the hostilities in Samaria,
beyond boundaries of belief,
or the scorn of gender
or judgment and prejudice.

Photina sought to retrieve her water
when the gossiping tongues remained at home,
the heat of the sun less bitter,
her footsteps slowing as she took in
the shimmering shape of the dusty traveler
seated despite the noonday heat. 
Only her need overcame her wariness. But
despite all differences,
he did not judge her but loved her,
stripping away all the rumors that clung to her,
and seeing a disciple instead.

Through her refreshed perception
she was emboldened to witness;
by calling her to tend his humanity--
his weariness, his thirst, his hunger,
and seeing hers--
the disillusionment, the contempt she bore
even among her kindred, the 
burden of abandonment and scorn
but also the strength of mind and heart to dare.
His words provoke and promise, 
testimony received and boldly proclaimed
to her and to us.

Nicodemus saw he was from God,
but Photina saw he was Savior.

Come, be refreshed.
Let down your bucket within your heart
to receive the living water of joy,
faith and hope--
a wellspring of witness.

Come be refreshed and restored,
stranger or friend, 
by the love that was always within you
from the Maker’s handiwork 
and seal upon your soul.

It is only those who have need of Jesus
who hear the hope of the invitation,
who receive the offered cup of fresh water
of God’s kingdom.


Note: the Oaxacan festival of the Dia de la Samaritana will be March 17 this year.

--Leslie Barnes Scoopmire. This was first published at Episcopal Journal and Cafe's Speaking to the Soul on March 9, 2023.

Scripture Reference: John 4:5-42, Lent 3A

Ghazal: The Woman at the Well

In memoriam Agha Shahid Ali

In this late season, who is the woman at the well
drawing water, reflecting on the woman at the well?

Millennial fissures in the well-rim, weed-choked cracks
where brackish water rises for the woman at the well.

At the bottom of the well shaft, the sky’s reflective eye
opens, closes on the shadow of the woman at the well.

Where are the rains of bygone eras? Preterite weather
yields more rusted bucketsful for the woman at the well.

Ancestral well of Jacob, where a weary traveler rests,
where Jesus asks for water from the woman at the well.

Oh plane trees of Samaria, in whose shade a stranger
speaks of artesian fault lines to the woman at the well!

Chaldean fountains, oases of date palms and minarets—
how they flourish in the dreams of the woman at the well!

Mirages of marble, pomegranate flowers, cedars of Baalbek
shimmer in the sight of the woman at the well.

On the night of destiny, the angel Gabriel descends
and hovers by the footprints of the woman at the well.

Jacob’s ladder leans against the door of heaven—
on the bottom rung, the woman at the well.

Women of Sychar, women of Shechem! Draw aside your veils,
reveal the features of the woman at the well.

Wise ones, why do you weep? Do you fear your fate
tips a mirror toward the woman at the well?

Oh artisan of sorrow, mystery’s precision, sit down
beside your sister, second self, the woman at the well.


-- Carolyne Wright (1949- ), poet, translator, and teacher, National Book Award winner for her 2005 book Season of Mangoes & Brainfire. She dedicates this poem to Agha Shahid Ali, (1949-2001), a Kashmiri-American poet who introduced the ghazal form to many American poets.

Scripture reference: John 4:5-42, Lent 4A

Image: Bryn Gillette, The Woman at the Well

The Rubaiyat

I
Wake! For the Sun, who scatter'd into flight
The Stars before him from the Field of Night,
Drives Night along with them from Heav'n, and strikes
The Sultan's Turret with a Shaft of Light.

II
Before the phantom of False morning died,
Methought a Voice within the Tavern cried,
"When all the Temple is prepared within,
Why nods the drowsy Worshipper outside?"

III
And, as the Cock crew, those who stood before
The Tavern shouted--"Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."

IV
Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
Where the White Hand Of Moses on the Bough
Puts out, and Jesus from the Ground suspires.

V
Iram indeed is gone with all his Rose,
And Jamshyd's Sev'n-ring'd Cup where no one knows;
But still a Ruby kindles in the Vine,
And many a Garden by the Water blows,

VI
And David's lips are lockt; but in divine
High-piping Pehlevi, with "Wine! Wine! Wine!
Red Wine!"--the Nightingale cries to the Rose
That sallow cheek of hers t' incarnadine.

VII
Come, fill the Cup, and in the fire of Spring
Your Winter-garment of Repentance fling:
The Bird of Time has but a little way
To flutter--and the Bird is on the Wing.

VIII
Whether at Naishapur or Babylon,
Whether the Cup with sweet or bitter run,
The Wine of Life keeps oozing drop by drop,
The Leaves of Life keep falling one by one.

IX
Each Morn a thousand Roses brings, you say;
Yes, but where leaves the Rose of Yesterday?
And this first Summer month that brings the Rose
Shall take Jamshyd and Kaikobad away.

X
Well, let it take them! What have we to do
With Kaikobad the Great, or Kaikhosru?
Let Zal and Rustum bluster as they will,
Or Hatim call to Supper--heed not you

XI
With me along the strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultan is forgot--
And Peace to Mahmud on his golden Throne!

XII
A Book of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread--and Thou
Beside me singing in the Wilderness--
Oh, Wilderness were Paradise enow!

XIII
Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
Ah, take the Cash, and let the Credit go,
Nor heed the rumble of a distant Drum!

XIV
Look to the blowing Rose about us--"Lo,
Laughing," she says, "into the world I blow,
At once the silken tassel of my Purse
Tear, and its Treasure on the Garden throw."

XV
And those who husbanded the Golden grain,
And those who flung it to the winds like Rain,
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.

XVI
The Worldly Hope men set their Hearts upon
Turns Ashes--or it prospers; and anon,
Like Snow upon the Desert's dusty Face,
Lighting a little hour or two--is gone.

XVII
Think, in this batter'd Caravanserai
Whose Portals are alternate Night and Day,
How Sultan after Sultan with his Pomp
Abode his destined Hour, and went his way.

XVIII
They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
And Bahram, that great Hunter--the Wild Ass
Stamps o'er his Head, but cannot break his Sleep.

XIX
I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
That every Hyacinth the Garden wears
Dropt in her Lap from some once lovely Head.

X
And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean--
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!

XXI
Ah, my Belov'ed fill the Cup that clears
To-day Past Regrets and Future Fears:
To-morrow!--Why, To-morrow I may be
Myself with Yesterday's Sev'n Thousand Years.

XXII
For some we loved, the loveliest and the best
That from his Vintage rolling Time hath prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to rest.

XXIII
And we, that now make merry in the Room
They left, and Summer dresses in new bloom
Ourselves must we beneath the Couch of Earth
Descend--ourselves to make a Couch--for whom?

XXIV
Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust to lie
Sans Wine, sans Song, sans Singer, and--sans End!

XXV
Alike for those who for To-day prepare,
And those that after some To-morrow stare,
A Muezzin from the Tower of Darkness cries
"Fools! your Reward is neither Here nor There."

XXVI
Why, all the Saints and Sages who discuss'd
Of the Two Worlds so wisely--they are thrust
Like foolish Prophets forth; their Words to Scorn
Are scatter'd, and their Mouths are stopt with Dust.

XXVII
Myself when young did eagerly frequent
Doctor and Saint, and heard great argument
About it and about: but evermore
Came out by the same door where in I went.

XXVIII
With them the seed of Wisdom did I sow,
And with mine own hand wrought to make it grow;
And this was all the Harvest that I reap'd--
"I came like Water, and like Wind I go."

XXIX
Into this Universe, and Why not knowing
Nor Whence, like Water willy-nilly flowing;
And out of it, as Wind along the Waste,
I know not Whither, willy-nilly blowing.

XXX
What, without asking, hither hurried Whence?
And, without asking, Whither hurried hence!
Oh, many a Cup of this forbidden Wine
Must drown the memory of that insolence!

XXXI
Up from Earth's Centre through the Seventh Gate
rose, and on the Throne of Saturn sate;
And many a Knot unravel'd by the Road;
But not the Master-knot of Human Fate.

XXXII
There was the Door to which I found no Key;
There was the Veil through which I might not see:
Some little talk awhile of Me and Thee
There was--and then no more of Thee and Me.

XXXIII
Earth could not answer; nor the Seas that mourn
In flowing Purple, of their Lord forlorn;
Nor rolling Heaven, with all his Signs reveal'd
And hidden by the sleeve of Night and Morn.

XXXIV
Then of the Thee in Me works behind
The Veil, I lifted up my hands to find
A Lamp amid the Darkness; and I heard,
As from Without--"The Me Within Thee Blind!"

XXXV
Then to the lip of this poor earthen Urn
I lean'd, the Secret of my Life to learn:
And Lip to Lip it murmur'd--"While you live
Drink!--for, once dead, you never shall return."

XXXVI
I think the Vessel, that with fugitive
Articulation answer'd, once did live,
And drink; and Ah! the passive Lip I kiss'd,
How many Kisses might it take--and give!

XXXVII
For I remember stopping by the way
To watch a Potter thumping his wet Clay:
And with its all-obliterated Tongue
It murmur'd--"Gently, Brother, gently, pray!"

XXXVIII
And has not such a Story from of Old
Down Man's successive generations roll'd
Of such a clod of saturated Earth
Cast by the Maker into Human mould?

XXXIX
And not a drop that from our Cups we throw
For Earth to drink of, but may steal below
To quench the fire of Anguish in some Eye
There hidden--far beneath, and long ago.

XL
As then the Tulip for her morning sup
Of Heav'nly Vintage from the soil looks up,
Do you devoutly do the like, till Heav'n
To Earth invert you--like an empty Cup.

XLI
Perplext no more with Human or Divine,
To-morrow's tangle to the winds resign,
And lose your fingers in the tresses of
The Cypress--slender Minister of Wine.

XLII
And if the Wine you drink, the Lip you press
End in what All begins and ends in--Yes;
Think then you are To-day what Yesterday
You were--To-morrow You shall not be less.

XLIII
So when that Angel of the darker Drink
At last shall find you by the river-brink,
And, offering his Cup, invite your Soul
Forth to your Lips to quaff--you shall not shrink.

XLIV
Why, if the Soul can fling the Dust aside,
And naked on the Air of Heaven ride,
Were't not a Shame--were't not a Shame for him
In this clay carcase crippled to abide?

XLV
'Tis but a Tent where takes his one day's rest
A Sultan to the realm of Death addrest;
The Sultan rises, and the dark Ferrash
Strikes, and prepares it for another Guest.

XLVI
And fear not lest Existence closing your
Account, and mine, should know the like no more;
The Eternal Saki from that Bowl has pour'd
Millions of Bubbles like us, and will pour.

XLVII
When You and I behind the Veil are past,
Oh, but the long, long while the World shall last,
Which of our Coming and Departure heeds
As the Sea's self should heed a pebble-cast.

XLVIII
A Moment's Halt--a momentary taste
Of Being from the Well amid the Waste--
And Lo!--the phantom Caravan has reach'd
The Nothing it set out from--Oh, make haste!

XLIX
Would you that spangle of Existence spend
About the Secret--Quick about it, Friend!
A Hair perhaps divides the False and True--
And upon what, prithee, may life depend?

L
A Hair perhaps divides the False and True;
Yes; and a single Alif were the clue--
Could you but find it--to the Treasure-house,
And peradventure to The Master too;

LI
Whose secret Presence, through Creation's veins
Running Quicksilver-like eludes your pains;
Taking all shapes from Mah to Mahi; and
They change and perish all--but He remains;

LII
A moment guess'd--then back behind the Fold
Immerst of Darkness round the Drama roll'd
Which, for the Pastime of Eternity,
He doth Himself contrive, enact, behold.

LIII
But if in vain, down on the stubborn floor
Of Earth, and up to Heav'n's unopening Door
You gaze To-day, while You are You--how then
To-morrow, You when shall be You no more?

LIV
Waste not your Hour, nor in the vain pursuit
Of This and That endeavour and dispute;
Better be jocund with the fruitful Grape
Than sadden after none, or bitter, Fruit.

LV
You know, my Friends, with what a brave Carouse
I made a Second Marriage in my house;
Divorced old barren Reason from my Bed
And took the Daughter of the Vine to Spouse.

LVI
For "Is" and "Is-not" though with Rule and Line
And "Up" and "Down" by Logic I define,
Of all that one should care to fathom,
Was never deep in anything but--Wine.

LVII
Ah, but my Computations, People say,
Reduced the Year to better reckoning?--Nay
'Twas only striking from the Calendar
Unborn To-morrow, and dead Yesterday.

LVIII
And lately, by the Tavern Door agape,
Came shining through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder; and
He bid me taste of it; and 'twas--the Grape!

LIX
The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The sovereign Alchemist that in a trice
Life's leaden metal into Gold transmute:

LX
The mighty Mahmud, Allah-breathing Lord
That all the misbelieving and black Horde
Of Fears and Sorrows that infest the Soul
Scatters before him with his whirlwind Sword.

LXI
Why, be this Juice the growth of God, who dare
Blaspheme the twisted tendril as a Snare?
A Blessing, we should use it, should we not?
And if a Curse--why, then, Who set it there?

LXII
I must abjure the Balm of Life, I must,
Scared by some After-reckoning ta'en on trust,
Or lured with Hope of some Diviner Drink,
To fill the Cup--when crumbled into Dust!

LXIII
Oh, threats of Hell and Hopes of Paradise!
One thing at least is certain--This Life flies;
One thing is certain and the rest is Lies;
The Flower that once has blown for ever dies.

LXIV
Strange, is it not? that of the myriads who
Before us pass'd the door of Darkness through,
Not one returns to tell us of the Road,
Which to discover we must travel too.

LXV
The Revelations of Devout and Learn'd
Who rose before us, and as Prophets burn'd,
Are all but Stories, which, awoke from Sleep,
They told their comrades, and to Sleep return'd.

LXVI
I sent my Soul through the Invisible,
Some letter of that After-life to spell:
And by and by my Soul return'd to me,
And answer'd "I Myself am Heav'n and Hell:"

LXVII
Heav'n but the Vision of fulfill'd Desire,
And Hell the Shadow from a Soul on fire,
Cast on the Darkness into which Ourselves,
So late emerged from, shall so soon expire.

LXVIII
We are no other than a moving row
Of Magic Shadow-shapes that come and go
Round with the Sun-illumined Lantern held
In Midnight by the Master of the Show;

LXIX
But helpless Pieces of the Game He plays
Upon this Chequer-board of Nights and Days;
Hither and thither moves, and checks, and slays,
And one by one back in the Closet lays.

LXX
The Ball no question makes of Ayes and Noes,
But Here or There as strikes the Player goes;
And He that toss'd you down into the Field,
He knows about it all--He knows--HE knows!

LXXI
The Moving Finger writes; and, having writ,
Moves on: nor all your Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all your Tears wash out a Word of it.

LXXII
And that inverted Bowl they call the Sky,
Whereunder crawling coop'd we live and die,
Lift not your hands to It for help--for It
As impotently moves as you or I.

LXXIII
With Earth's first Clay They did the Last Man knead,
And there of the Last Harvest sow'd the Seed:
And the first Morning of Creation wrote
What the Last Dawn of Reckoning shall read.

LXXIV
Yesterday This Day's Madness did prepare;
To-morrow's Silence, Triumph, or Despair:
Drink! for you know not whence you came, nor why:
Drink! for you know not why you go, nor where.

LXXV
I tell you this--When, started from the Goal,
Over the flaming shoulders of the Foal
Of Heav'n Parwin and Mushtari they flung
In my predestined Plot of Dust and Soul.

LXXVI
The Vine had struck a fibre: which about
If clings my being--let the Dervish flout;
Of my Base metal may be filed a Key,
That shall unlock the Door he howls without.

LXXVII
And this I know: whether the one True Light
Kindle to Love, or Wrath-consume me quite,
One Flash of It within the Tavern caught
Better than in the Temple lost outright.

LXXVIII
What! out of senseless Nothing to provoke
A conscious Something to resent the yoke
Of unpermitted Pleasure, under pain
Of Everlasting Penalties, if broke!

LXXIX
What! from his helpless Creature be repaid
Pure Gold for what he lent him dross-allay'd--
Sue for a Debt he never did contract,
And cannot answer--Oh, the sorry trade!

LXXX
Oh, Thou, who didst with pitfall and with gin
Beset the Road I was to wander in,
Thou wilt not with Predestined Evil round
Enmesh, and then impute my Fall to Sin!

LXXXI
Oh, Thou who Man of baser Earth didst make,
And ev'n with Paradise devise the Snake:
For all the Sin wherewith the Face of Man
Is blacken'd--Man's forgiveness give--and take!

LXXXII
As under cover of departing Day
Slunk hunger-stricken Ramazan away,
Once more within the Potter's house alone
I stood, surrounded by the Shapes of Clay.

LXXXIII
Shapes of all Sorts and Sizes, great and small,
That stood along the floor and by the wall;
And some loquacious Vessels were; and some
Listen'd perhaps, but never talk'd at all.

LXXXIV
Said one among them--"Surely not in vain
My substance of the common Earth was ta'en
And to this Figure moulded, to be broke,
Or trampled back to shapeless Earth again."

LXXXV
Then said a Second--"Ne'er a peevish Boy
Would break the Bowl from which he drank in joy,
And He that with his hand the Vessel made
Will surely not in after Wrath destroy."

LXXXVI
After a momentary silence spake
Some Vessel of a more ungainly Make;
"They sneer at me for leaning all awry:
What! did the Hand then of the Potter shake?"

LXXXVII
Whereat some one of the loquacious Lot--
I think a Sufi pipkin-waxing hot--
"All this of Pot and Potter--Tell me then,
Who is the Potter, pray, and who the Pot?"

LXXXVIII
"Why," said another, "Some there are who tell
Of one who threatens he will toss to Hell
The luckless Pots he marr'd in making--Pish!
He's a Good Fellow, and 'twill all be well."

LXXXIX
"Well," Murmur'd one, "Let whoso make or buy,
My Clay with long Oblivion is gone dry:
But fill me with the old familiar juice,
Methinks I might recover by and by."

XC
So while the Vessels one by one were speaking,
The little Moon look'd in that all were seeking:
And then they jogg'd each other, "Brother! Brother!
Now for the Porter's shoulder-knot a-creaking!"

XCI
Ah, with the Grape my fading Life provide,
And wash the Body whence the Life has died,
And lay me, shrouded in the living Leaf,
By some not unfrequented Garden-side.

XCII
That ev'n my buried Ashes such a snare
Of Vintage shall fling up into the Air
As not a True-believer passing by
But shall be overtaken unaware.

XCIII
Indeed the Idols I have loved so long
Have done my credit in this World much wrong:
Have drown'd my Glory in a shallow Cup
And sold my Reputation for a Song.

XCIV
Indeed, indeed, Repentance of before
I swore--but was I sober when I swore?
And then and then came Spring, and Rose-in-hand
My thread-bare Penitence apieces tore.

XCV
And much as Wine has play'd the Infidel,
And robb'd me of my Robe of Honour--Well,
I wonder often what the Vintners buy
One half so precious as the stuff they sell.

XCVI
Yet Ah, that Spring should vanish with the Rose!
That Youth's sweet-scented manuscript should close!
The Nightingale that in the branches sang,
Ah, whence, and whither flown again, who knows!

XCVII
Would but the Desert of the Fountain yield
One glimpse--if dimly, yet indeed, reveal'd,
To which the fainting Traveller might spring,
As springs the trampled herbage of the field!

XCVIII
Would but some wing'ed Angel ere too late
Arrest the yet unfolded Roll of Fate,
And make the stern Recorder otherwise
Enregister, or quite obliterate!

XCIX
Ah, Love! could you and I with Him conspire
To grasp this sorry Scheme of Things entire,
Would not we shatter it to bits--and then
Re-mould it nearer to the Heart's Desire!

C
Yon rising Moon that looks for us again--
How oft hereafter will she wax and wane;
How oft hereafter rising look for us
Through this same Garden--and for one in vain!

CI
And when like her, oh, Saki, you shall pass
Among the Guests Star-scatter'd on the Grass,
And in your joyous errand reach the spot
Where I made One--turn down an empty Glass!

-- Omar Khayyam (1048-1131), Persian astronomer, mathematician, and poet, translated by Edward FitzGerald.

Willow

...and a decrepit handful of trees.
—Aleksandr Pushkin

And I matured in peace born of command,
in the nursery of the infant century,
and the voice of man was never dear to me,
but the breeze’s voice—that I could understand.
The burdock and the nettle I preferred,
but best of all the silver willow tree.
Its weeping limbs fanned my unrest with dreams;
it lived here all my life, obligingly.
I have outlived it now, and with surprise.
There stands the stump; with foreign voices other
willows converse, beneath our, beneath those skies,
and I am hushed, as if I’d lost a brother.

-- Anna Akhmatova (1889-1966), great Russian writer, poet, and translator, translated by Jennifer Reese

Painting - "Willow" by Claude Monet

Undo the door, my spouse dear

"Undo thy door, my spouse dear, 

Alas! why stand I locked out here? 

   For I am thy mate. 

Look, my locks and also my head 

And all my body with blood bedewed, 

    For thy sake.” 

 “Alas! alas! evil have I sped, 

For sin Jesus is from me fled, 

    My true companion. 

Without my gate he standeth alone, 

Sorrowfully he maketh his moan 

 In his manner.” 

 Lord, for sin I sigh sore, 

Forgive, and I’ll do so no more, 

With all my might I forsake my sin, 

And open my heart to take thee in. 

For thy heart is cleft our love to catch, 

Thy love has chosen us all to fetch; 

My heart it pierced if I were kind, 

Thy sweet love to have in mind. 

Pierce my heart with thy loving, 

That in thee I may have my dwelling. 

Amen.

(MODERN ENGLISH TRANSLATION)


Vndo þi dore, my spuse dere, 

Allas! wy stond i loken out here? 

   fre am i þi make. 

Loke mi lokkes & ek myn heued 

& al my bodi with blod be-weued 

   For þi sake. 

 Allas! allas! heuel haue i sped, 

For senne iesu is fro me fled, 

   Mi trewe fere. 

With-outen my gate he stant alone, 

Sorfuliche he maket his mone 

   On his manere. 

 Lord, for senne i sike sore, 

Forʒef & i ne wil no more, 

With al my mith senne i forsake, 

& opne myn herte þe inne to take. 

For þin herte is clouen oure loue to kecchen, 

Þi loue is chosen vs alle to fecchen; 

Mine herte it þerlede ʒef i wer kende, 

Þi suete loue to hauen in mende. 

Perce myn herte with þi louengge, 

Þat in þe i haue my duellingge. 

Amen.

(ORIGINAL MIDDLE ENGLISH)

--Found in the 1372 "commonplace book" of the Franciscan friar John of Brimstone of Norfolk, England.

From the Art & Theology blog, I learn that I am using this blog and my notebooks as "commonplace books" for my preaching and writing. Glad to have a word for it!

Image: William Holman Hunt, 19th century pre-Raphaelite painter, "Light of the World (Manchester edition)

"Commonplace books were notebooks used to gather quotations and literary excerpts, with entries typically organized under subject headings. Preachers often kept them for homiletic purposes, gathering potential material for sermons. Grimestone’s is remarkable because it includes, in addition to much Latin material, 239 poems in Middle English. (English friars at the time regularly used vernacular religious verse in their sermons.) It is unknown whether Grimestone composed these verses himself or merely compiled them; likely, it is some combination. The first two stanzas of this particular poem are found, transposed, in another manuscript from almost a century earlier. Grimestone revised them slightly and added the third stanza. 

Belonging to the Christ-as-lover tradition, “Undo thy door” is based primarily on Song of Solomon 5:2, cited in Grimestone’s manuscript: “I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night.” In a clever interpretation of the Old Testament source, the poet imagines the dewdrops on the Beloved’s brow as blood, thus identifying him with the thorn-crowned Christ. His bride is the human soul. Revelation 3:20 is provided as a further gloss by Grimestone: Jesus says, “Behold, I stand at the door, and knock: if any man hear my voice, and open the door, I will come in to him, and will sup with him, and he with me.”

So in the poem, the speaker is shacking up with sin and has locked out her true lover, Christ. Christ stands at the gate of her heart and implores her with great ardor to let him in and to send sin packing. Wet with the wounds of sacrifice, tokens of his love, he is persistent in his longing for her.

Christ’s entreaties provide the impetus for the speaker’s repentance, expressed in the final stanza, which changes awkwardly in form and meter. His love has pierced her to the core, undoing her resistance. She resolves to break the sin-lock—to turn away from wrongful deeds—and answer Christ’s call so that they can enjoy sweet union together, dwelling in one another’s love. It was his heart that opened first—it was cleft by the centurion’s spear as he hung on the cross—and she is compelled to respond with similar openness, receiving what he has given, requiting his desire."

No Answer

Speak, farmer, over the green sod
To us forsaken by the sham gods
In whom we trusted. Where has the spring gone?
Is it always autumn even in the fields’
Primitive quiet in which you work?

Speak, friend; does not the earth renew
Its broken pattern, building again
Its green citadels, razed by the winds
And gaunt frosts, quarrying the face
Of the grim heavens for the springs ore?
Born here and reared, have you no proof
Of the slow summers ultimate reign?

Silence, silence; only the eyes’
Inscrutable grayness turned to mine;
And the hand’s gesture, vague as a branch,
Rowing forever the wind’s stream.

-- R. S. Thomas (1913-2000), Anglican priest and Welsh poet, from Uncollected Poems.

Nicodemus Considers the Wind Doing As It Pleases

 John 3

Well, it’s always synergetic, lacing fingers with rain,
slicing clots from olive trees like a scalpel,
knotted leaves scraped away. Sometimes it just eases

down with the sun. Gauzy breath, piling torn branches
like ashes. With it’s oxygenating breath, it could rekindle
what smoulders. But facing abnegation, when backs turn,

it nips the drooping lobes of half-covered ears. It rushes
like blood toward the heart, climbing trees, only truly seen
when rippling over wide flung limbs that have been lifted up.

-- Matt Lee Miller, from Earth & Altar magazine, Feb 11, 2021

Scripture reference John 3:1-17, 2 Lent A